by Katherine Ashe ‧ RELEASE DATE: May 27, 2011
Ashe is more flag-bearer of the rampant Montfort lion than objective storyteller, but her sharp eye for human drama and...
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A full-blooded second installment of Ashe’s historical fiction, in which the seeds of rebellion against Henry III’s economic tyranny are sown in the mind of Simon de Montfort, the founder of Parliament.
More assuredly ensconced in the saddle than she was in her first volume, a volant Ashe (Montfort the Founder of Parliament: The Early Years, 2010) charges ahead, taking the reader along on a largely gripping ride. This volume opens with dark tidings that Palestine, gloriously secured by Simon in the First Crusade, has fallen. Plunged into an orgy of grief, he lashes himself until he passes out. He wants to immediately jump on his horse and head to the Holy Land, but the king has other plans; Henry sends his finest general to subdue the notoriously rebellious French province of Gascony. Although the fine detailing of the three Gascony campaigns occasionally plods, Ashe does her best to mine it fully to build up the antagonism that will eventually explode into civil war. Pitted against a spiteful, changeling Henry who plies him with favors only to then humiliate him by trusting the word of the Gascon lords over his, Simon is tried for treason but acquitted. The official charge against him is his ruthlessness in Gascony, but the real treason has taken place in the bedroom, with Simon lapsing back into his affair with Queen Eleanor. In the background is a quiet but dangerous campaign launched by Simon’s archbishop-mentor and chancellor of Oxford, Robert Grosseteste, to curb Henry’s arbitrariness by appointing a council. This could be seditious but it has a deep appeal for the barons and clergy bled to death by a king addicted to wars and keeping his foreign in-laws in velvet (literally—the fabric was new to the court, as, incidentally, was Roger Bacon’s rudimentary canon). The sanctimoniously loyal Simon initially dismisses Grosseteste’s talk with “Henry is no Tiberius,” but, in a deftly turned phrase by Ashe, he is soon bitterly aware that trusting Henry is akin to “leaning on Aaron’s staff that would one day turn serpent and sting him.”
Ashe is more flag-bearer of the rampant Montfort lion than objective storyteller, but her sharp eye for human drama and historic detail, together with strong characterization, keep the reader absorbed to the very end.Pub Date: May 27, 2011
ISBN: 978-1450574235
Page Count: 265
Publisher: CreateSpace
Review Posted Online: Nov. 4, 2011
Kirkus Reviews Issue: Dec. 1, 2011
Review Program: Kirkus Indie
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by Colson Whitehead ‧ RELEASE DATE: July 16, 2019
Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s...
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The acclaimed author of The Underground Railroad (2016) follows up with a leaner, meaner saga of Deep South captivity set in the mid-20th century and fraught with horrors more chilling for being based on true-life atrocities.
Elwood Curtis is a law-abiding, teenage paragon of rectitude, an avid reader of encyclopedias and after-school worker diligently overcoming hardships that come from being abandoned by his parents and growing up black and poor in segregated Tallahassee, Florida. It’s the early 1960s, and Elwood can feel changes coming every time he listens to an LP of his hero Martin Luther King Jr. sermonizing about breaking down racial barriers. But while hitchhiking to his first day of classes at a nearby black college, Elwood accepts a ride in what turns out to be a stolen car and is sentenced to the Nickel Academy, a juvenile reformatory that looks somewhat like the campus he’d almost attended but turns out to be a monstrously racist institution whose students, white and black alike, are brutally beaten, sexually abused, and used by the school’s two-faced officials to steal food and supplies. At first, Elwood thinks he can work his way past the arbitrary punishments and sadistic treatment (“I am stuck here, but I’ll make the best of it…and I’ll make it brief”). He befriends another black inmate, a street-wise kid he knows only as Turner, who has a different take on withstanding Nickel: “The key to in here is the same as surviving out there—you got to see how people act, and then you got to figure out how to get around them like an obstacle course.” And if you defy them, Turner warns, you’ll get taken “out back” and are never seen or heard from again. Both Elwood’s idealism and Turner’s cynicism entwine into an alliance that compels drastic action—and a shared destiny. There's something a tad more melodramatic in this book's conception (and resolution) than one expects from Whitehead, giving it a drugstore-paperback glossiness that enhances its blunt-edged impact.
Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s novel displays its author’s facility with violent imagery and his skill at weaving narrative strands into an ingenious if disquieting whole.Pub Date: July 16, 2019
ISBN: 978-0-385-53707-0
Page Count: 224
Publisher: Doubleday
Review Posted Online: Jan. 20, 2019
Kirkus Reviews Issue: Feb. 1, 2019
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SEEN & HEARD
SEEN & HEARD
by Roy Jacobsen ; translated by Don Bartlett & Don Shaw ‧ RELEASE DATE: April 7, 2020
A deeply satisfying novel, both sensuously vivid and remarkably poignant.
Norwegian novelist Jacobsen folds a quietly powerful coming-of-age story into a rendition of daily life on one of Norway’s rural islands a hundred years ago in a novel that was shortlisted for the 2017 Man Booker International Prize.
Ingrid Barrøy, her father, Hans, mother, Maria, grandfather Martin, and slightly addled aunt Barbro are the owners and sole inhabitants of Barrøy Island, one of numerous small family-owned islands in an area of Norway barely touched by the outside world. The novel follows Ingrid from age 3 through a carefree early childhood of endless small chores, simple pleasures, and unquestioned familial love into her more ambivalent adolescence attending school off the island and becoming aware of the outside world, then finally into young womanhood when she must make difficult choices. Readers will share Ingrid’s adoration of her father, whose sense of responsibility conflicts with his romantic nature. He adores Maria, despite what he calls her “la-di-da” ways, and is devoted to Ingrid. Twice he finds work on the mainland for his sister, Barbro, but, afraid she’ll be unhappy, he brings her home both times. Rooted to the land where he farms and tied to the sea where he fishes, Hans struggles to maintain his family’s hardscrabble existence on an island where every repair is a struggle against the elements. But his efforts are Sisyphean. Life as a Barrøy on Barrøy remains precarious. Changes do occur in men’s and women’s roles, reflected in part by who gets a literal chair to sit on at meals, while world crises—a war, Sweden’s financial troubles—have unexpected impact. Yet the drama here occurs in small increments, season by season, following nature’s rhythm through deaths and births, moments of joy and deep sorrow. The translator’s decision to use roughly translated phrases in conversation—i.e., “Tha’s goen’ nohvar” for "You’re going nowhere")—slows the reading down at first but ends up drawing readers more deeply into the world of Barrøy and its prickly, intensely alive inhabitants.
A deeply satisfying novel, both sensuously vivid and remarkably poignant.Pub Date: April 7, 2020
ISBN: 978-1-77196-319-0
Page Count: 272
Publisher: Biblioasis
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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