A thoughtful coming-out story interwoven with a town’s gentrification worries.
Lucy’s small-town Ontario summer is rocked by newcomers and a town conflict.
With her best friend, Katia, away at camp, Lucy thinks summer will be boring. But then Toronto artist Ray arrives to rebuild the town’s old carousel, along with her daughter, Anaïs. Lucy, who’s not the girly girl her single dad hopes for, is drawn to the new arrivals, especially after she confirms that butch Ray is a lesbian. Soon, Lucy and Anaïs’ friendship develops into something more, and a radical haircut tears a serious rift between Lucy and her dad. Meanwhile, disputes rage among townspeople over selling land to a condo developer. Lucy’s grocer father needs the money from selling his store, but others worry that locals will be priced out. What will the town council decide? Lucy’s growth into her true self is sensitively portrayed, and kids in Lucy’s position sorely need Ray’s eloquent and comforting words and explanations. Lucy also finds support in her big brother, and she hopes that Katia—whose delightful letters paint a fun picture of camp—will accept her, too. The developer plot feels overtly educational, with teacherly dialogue explaining different sides of the controversy. Despite some thoughtful points, young readers might find the conflict’s presentation of limited interest. Main characters appear white; there’s some racial diversity in secondary and background characters. The colorful, blocky, and somewhat static illustrations feature expressive faces.
A thoughtful coming-out story interwoven with a town’s gentrification worries. (author’s note) (Graphic fiction. 9-13)Pub Date: April 8, 2025
ISBN: 9780063057685
Page Count: 304
Publisher: Quill Tree Books/HarperCollins
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.
Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.
Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)Pub Date: May 14, 2013
ISBN: 978-0-06-210489-2
Page Count: 496
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: April 15, 2013
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An emotional, much-needed historical graphic novel.
Sandy and his family, Japanese Canadians, experience hatred and incarceration during World War II.
Sandy Saito loves baseball, and the Vancouver Asahi ballplayers are his heroes. But when they lose in the 1941 semifinals, Sandy’s dad calls it a bad omen. Sure enough, in December 1941, Japan bombs Pearl Harbor in the U.S. The Canadian government begins to ban Japanese people from certain areas, moving them to “dormitories” and setting a curfew. Sandy wants to spend time with his father, but as a doctor, his dad is busy, often sneaking out past curfew to work. One night Papa is taken to “where he [is] needed most,” and the family is forced into an internment camp. Life at the camp isn’t easy, and even with some of the Asahi players playing ball there, it just isn’t the same. Trying to understand and find joy again, Sandy struggles with his new reality and relationship with his father. Based on the true experiences of Japanese Canadians and the Vancouver Asahi team, this graphic novel is a glimpse of how their lives were affected by WWII. The end is a bit abrupt, but it’s still an inspiring and sweet look at how baseball helped them through hardship. The illustrations are all in a sepia tone, giving it an antique look and conveying the emotions and struggles. None of the illustrations of their experiences are overly graphic, making it a good introduction to this upsetting topic for middle-grade readers.
An emotional, much-needed historical graphic novel. (afterword, further resources) (Graphic historical fiction. 9-12)Pub Date: Oct. 5, 2021
ISBN: 978-1-5253-0334-0
Page Count: 112
Publisher: Kids Can
Review Posted Online: June 28, 2021
Kirkus Reviews Issue: July 15, 2021
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