Abundantly original, marvelously inventive and enormous fun, this can stand alongside the best horror fiction out there. We...
Life can get tough for a boy who kills ghosts.
Teeth-chattering suspense and suppressed chuckles might attack readers in this superior black comedy/adventure. Theseus Cassio Lowood has inherited his father’s athame, a magical knife that can slice and dice ghosts to bits. He only kills ghosts who kill humans, but plenty of those lurk everywhere, forcing Cas and his white-witch mother to move constantly. When he answers a call to dispatch Anna, a ghost that’s brutally dismembered dozens of ill-fated folks who stepped into her house, for the first time Cas makes some friends. These help him until one steals the athame, an unfortunate choice. Meanwhile, Cas learns that Anna won’t kill him, so he enlists her aid in tracking down the voodoo spirit that literally ate his father. Blake populates the story with a nice mixture of personalities, including Anna, and spices it with plenty of gallows humor, all the while keeping the suspense pounding. The comedy works even better when juxtaposed against serious suspense, as Cas quips such lines as “I hate it when they don’t have eyes.” Matter-of-fact Anna leavens the comedy even as the suspense boils into terror. (Don't go in the basement.)
Abundantly original, marvelously inventive and enormous fun, this can stand alongside the best horror fiction out there. We demand sequels. (Paranormal adventure. 12 & up)Pub Date: Sept. 1, 2011
ISBN: 978-0-7653-2865-6
Page Count: 324
Publisher: Tor
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
A descriptive and atmospheric paranormal social thriller that could be a bit tighter.
After a Nigerian British girl goes off to an exclusive boarding school that seems to prey on less-privileged students, she discovers there might be some truth behind an urban legend.
Ife Adebola joins the Urban Achievers scholarship program at pricey, high-pressure Nithercott School, arriving shortly after a student called Leon mysteriously disappeared. Gossip says he’s a victim of the glowing-eyed Changing Man who targets the lonely, leaving them changed. Ife doesn’t believe in the myth, but amid the stresses of Nithercott’s competitive, privileged, majority-white environment, where she is constantly reminded of her state school background, she does miss her friends and family. When Malika, a fellow Black scholarship student, disappears and then returns, acting strangely devoid of personality, Ife worries the Changing Man is real—and that she’s next. Ife joins forces with classmate Bijal and Benny, Leon’s younger brother, to uncover the truth about who the Changing Man is and what he wants. Culminating in a detailed, gory, and extended climactic battle, this verbose thriller tempts readers with a nefarious mystery involving racial and class-based violence but never quite lives up to its potential and peters out thematically by its explosive finale. However, this debut offers highly visually evocative and eerie descriptions of characters and events and will appeal to fans of creature horror, social commentary, and dark academia.
A descriptive and atmospheric paranormal social thriller that could be a bit tighter. (Thriller. 14-18)Pub Date: Sept. 26, 2023
ISBN: 9781250868138
Page Count: 384
Publisher: Feiwel & Friends
Review Posted Online: June 8, 2023
Kirkus Reviews Issue: July 1, 2023
BOOK REVIEW
Perhaps a more genuinely enlightened protagonist would have made this debut more engaging
Audrey Rose Wadsworth, 17, would rather perform autopsies in her uncle’s dark laboratory than find a suitable husband, as is the socially acceptable rite of passage for a young, white British lady in the late 1800s.
The story immediately brings Audrey into a fractious pairing with her uncle’s young assistant, Thomas Cresswell. The two engage in predictable rounds of “I’m smarter than you are” banter, while Audrey’s older brother, Nathaniel, taunts her for being a girl out of her place. Horrific murders of prostitutes whose identities point to associations with the Wadsworth estate prompt Audrey to start her own investigation, with Thomas as her sidekick. Audrey’s narration is both ponderous and polemical, as she sees her pursuit of her goals and this investigation as part of a crusade for women. She declares that the slain aren’t merely prostitutes but “daughters and wives and mothers,” but she’s also made it a point to deny any alignment with the profiled victims: “I am not going as a prostitute. I am simply blending in.” Audrey also expresses a narrow view of her desired gender role, asserting that “I was determined to be both pretty and fierce,” as if to say that physical beauty and liking “girly” things are integral to feminism. The graphic descriptions of mutilated women don’t do much to speed the pace.
Perhaps a more genuinely enlightened protagonist would have made this debut more engaging . (Historical thriller. 15-18)Pub Date: Sept. 20, 2016
ISBN: 978-0-316-27349-7
Page Count: 336
Publisher: Jimmy Patterson/Little, Brown
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: June 15, 2016
BOOK REVIEW
BOOK REVIEW
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