SIDE EFFECTS ARE MINIMAL

In Essay’s courtroom drama, an attorney whose career is on the rise faces off against a powerful pharmaceutical company.

Claire Hewitt is a new partner at the Philadelphia law firm of Blackman & Bradford, and she’s been made first chair in a case that could make or break her career. Wealthy Clifford and Margo Satori are accusing Novo Analgesic Systems, one of the nation’s largest pharmaceutical companies, of medical negligence in the opioid death of their teenage daughter, Emma. The case is personal for Claire, who’s still haunted by the opioid death of her beloved younger sister. The Satoris want vengeance, and so does Claire: “A new revenge,” she declares. “A revenge called justice.” She’s paired with Alec Marshall, “the firm’s prodigy,” and harbors insecurities that any setbacks in the case will be blamed on “a female partner who’s not quite ready to run with the big boys.” However, she impressively takes on a formidable array of courtroom combatants, including the company’s in-house counsel, its slippery CEO, and a team of doctors with varying degrees of fidelity to the Hippocratic oath—as well as an obstinate judge. Readers won’t find very much that’s new in this thriller’s depiction of the devastation wrought by opioids and Big Pharma, which, in recent years, has become a ubiquitous villain in fiction. As such, revelations of corruption, conspiracy, and murder are unsurprising developments, although there’s no denying that the prescription drug industry remains a potent adversary. Fans of the courtroom-drama genre will even recognize an exchange from A Few Good Men (“Are we clear?” “Crystal”). However, Essay knows her way around this material and has clearly done her research on aspects of the opioid epidemic. Also, Claire and Alec make a good team, and readers will likely want to see them take on more cases.

The benefits of this briskly entertaining, if sometimes-familiar, debut outweigh the risks.