Still, a welcome spotlight on an overlooked segment of showbiz history.
See’s latest follows three Asian-American showgirls whose dreams are derailed then reset by the onset of World War II.
In the late 1930s, Grace, a talented dancer, comes to San Francisco from Ohio to flee the beatings of her father. Helen, who fled China under circumstances not immediately revealed, lives with her parents and extended family in a Chinatown compound. Ruby defies her parents, who plan to return to Japan, by staying in San Francisco to pursue a showbiz career. The three young women meet while auditioning for jobs in a new “Oriental” nightclub, Charlie Low’s Forbidden City, which will feature an all-Asian cast of chorines, ballroom dancers, chanteuses and crooners. Grace and Helen are cast, but Ruby is not—because of Japanese aggression in China, Chinatown is hostile toward all Japanese. She finds a job dancing semi-nude in Sally Rand’s traveling show. Ruby and Grace fall out over a man, Joe, a lo fan (“white ghost,” or Caucasian), and Grace and Helen strive to break into movie musicals. However, racial barriers in Hollywood are insurmountable, and they return to Forbidden City. There, Ruby, now headlining as Chinese Princess Tai, performs a Rand-inspired bubble dance, employing a large beach ball as her gimmick. Grace becomes Ruby’s dresser, and Helen dances backward in high heels as the partner of Eddie, billed as the Chinese Fred Astaire, whom she marries. After Pearl Harbor, the U.S. government, fearing an enemy invasion, interns all Japanese residents of the West Coast, whether U.S. citizens or not, in camps. Ruby’s Chinese disguise works for a while, until it doesn’t, and she's arrested and interned in Utah. For Grace, Ruby and Helen, the war will bring more upheavals—and opportunities. The episodic and creaky plot staggers under the weight of See’s considerable research into the careers and lifestyles of the actual stars of the all-Asian revue craze of the 1930s and '40s.
Still, a welcome spotlight on an overlooked segment of showbiz history.Pub Date: June 3, 2014
ISBN: 978-0-8129-9289-2
Page Count: 400
Publisher: Random House
Review Posted Online: April 1, 2014
Kirkus Reviews Issue: April 15, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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