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LADIES' LUNCH

AND OTHER STORIES

Gemlike stories from a master of the form.

Deceptively simple stories about older women who meet for lunch.

In her latest collection, Segal, now in her mid-90s, displays a seemingly effortless sense of lightness—even effervescence. These are not stories that strain toward their subjects in agony. They glide with a cleareyed calm and the grace of a writer’s lifelong career to inform them. The book’s first part is made up of a sequence of whisper-thin stories about a group of elderly women who meet every month or so for lunch. It doesn’t feel too presumptuous, going by their conversation and characteristics, to assume these women are loosely based on Segal and her own friends. They chat about topics that are light and topics that are less so. “Our children would not believe how calmly we look around the table wondering which one of us will be next,” Bessie says in one. In the book’s second part, Segal branches out a bit to revisit some of the material that has appeared in her work previously: fleeing Nazi-occupied Vienna as a 10-year-old, for example. Then, too, there are charming and bittersweet stories like the three-page “Divorce,” in which Lilly calls Henry to ask, “ ‘Can you remember exactly why we got divorced?’ ‘You always think things can be explained exactly,’ said Henry. ‘Oh, really!’ she said. ‘Is this one of the things that I “always” think?’ ” It isn’t just that Segal has a fantastic ear for dialogue, a magnificent wit, and an apparently infinite patience for her characters, who can be, as we all can, grumpy, difficult, forgetful, and argumentative. At this point in her career, Segal’s confidence in her own narrative ability is such that she allows her grasp to loosen to glorious effect. These are stories as light as air, as life itself, and yet they go on reverberating afterward.

Gemlike stories from a master of the form.

Pub Date: Oct. 3, 2023

ISBN: 9781685891015

Page Count: 144

Publisher: Melville House

Review Posted Online: July 13, 2023

Kirkus Reviews Issue: Aug. 1, 2023

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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IT STARTS WITH US

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

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The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.

Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

Pub Date: Oct. 18, 2022

ISBN: 978-1-668-00122-6

Page Count: 352

Publisher: Atria

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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