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LUCY AND THE DRAGONFLY

This allegory about the actions of individuals making a difference and the importance of hope is relayed in beautiful...

The natural world’s enriching effect, the tragedy of its fragile state, and the need for both action and hope are portrayed allegorically in this picture book imported from Canada.

Lucy, a little girl depicted with skin the white of the paper, loves nature. Papineau’s narrative glistens in its lyrical descriptions of Lucy’s activities as she participates in “the dance of the seasons,” and illustrator Hamel’s sprightly illustrations, full of translucent swirls of line and pattern, echo this dance. But then Earth becomes diseased, and Hamel’s illustrations display harsh black lines and darker colors. Angularity and darkness continue, both illustratively and narratively, as Lucy “give[s] up on the Earth.” When her tears fall into the brook (after a dragonfly friend brushes them off Lucy’s cheeks with her wings), her message of sadness spreads across the world and reaches Tama, a brown-skinned boy with textured, black hair, who knows “how to listen to…the songs of the brook.” Tama spreads the word, and people all over begin to want to “cure this child” by healing the planet. It’s unfortunate that Lucy is shown as white since it conveys the assumption that the happiness of white people is of paramount importance and it’s the job of brown people to see to it.

This allegory about the actions of individuals making a difference and the importance of hope is relayed in beautiful language and delicate illustrations—and a subtle white bias. (Picture book. 5-8)

Pub Date: April 3, 2018

ISBN: 978-2-7338-5620-8

Page Count: 40

Publisher: Auzou Publishing

Review Posted Online: March 3, 2018

Kirkus Reviews Issue: March 15, 2018

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KNIGHT OWL AND EARLY BIRD

From the Knight Owl series , Vol. 2

An immersive, charming read and convincing proof again that even small bodies can house stout hearts.

Can knightly deeds bring together a feathered odd couple who are on opposite daily schedules?

Having won over a dragon (and millions of fans) in the Caldecott Honor–winning Knight Owl (2022), the fierce yet impossibly cute nocturnal, armor-clad owlet faces a new challenge—sleep deprivation—in the wake of taking on Early Bird, a trainee who rises with the sun and chatters interminably: “I made pancakes! Do you like pancakes? I love pancakes! Where’s the syrup?” It’s enough to test the patience of even the knightliest of owls, and eventually Knight Owl explodes in anger. But although Early Bird is even smaller than her mentor, she turns out to be just as determined to achieve knighthood. After he tells her to leave, she acquits herself so nobly in a climactic encounter with a pack of wolves that she earns a place at the castle. Denise proves a dab hand at depicting genuinely slinky, scary wolves as well as slipping cheerfully anachronistic newspapers and other sight gags into his realistically wrought medieval settings to underscore the tale’s tongue-in-cheek tone. Better yet, a final view of the doughty duo sitting down together to a lavish pancake breakfast/dinner at dusk ends the episode in a sweet rush of syrup and bonhomie.

An immersive, charming read and convincing proof again that even small bodies can house stout hearts. (Picture book. 5-8)

Pub Date: Oct. 15, 2024

ISBN: 9780316564526

Page Count: 48

Publisher: Christy Ottaviano Books

Review Posted Online: Nov. 5, 2024

Kirkus Reviews Issue: Jan. 1, 2025

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THE LOST STONE

From the The Kingdom of Wrenly series , Vol. 1

A gentle adventure that sets the stage for future quests.

A lonely prince gains a friend for a quest to find a missing jewel.

Prince Lucas of Wrenly has everything a boy could possibly want—except a friend. His father has forbidden him to play with the village children for reasons of propriety. Adventure-seeking Lucas acquires peasant clothes to masquerade as a commoner and make friends, but he is caught out. His mother, the queen, persuades the king to allow him one friend: Clara, the daughter of her personal dressmaker. When the queen’s prized emerald pendant goes missing, Lucas and Clara set off to find it. They follow the jewel as it changes hands, interviewing each temporary owner. Their adventure cleverly introduces the series’ world and peoples, taking the children to the fairy island of Primlox, the trolls’ home of Burth, the wizard island of Hobsgrove and finally Mermaid’s Cove. By befriending the mermaids, Lucas and Clara finally recover the jewel. In thanks, the king gives Clara a horse of her own so that she may ride with Lucas on their future adventures. The third-person narration is generally unobtrusive, allowing the characters to take center stage. The charming, medieval-flavored illustrations set the fairy-tale scene and take up enough page space that new and reluctant readers won’t be overwhelmed by text.

 A gentle adventure that sets the stage for future quests. (Fantasy. 5-8)

Pub Date: April 1, 2014

ISBN: 978-1-4424-9691-0

Page Count: 128

Publisher: Little Simon/Simon & Schuster

Review Posted Online: Feb. 11, 2014

Kirkus Reviews Issue: March 1, 2014

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