Tea, labor-intensive to harvest, is a precious commodity, but wild-growing cloud tea, found only in the highest, dangerous-to-reach mountaintops, is the most prized of all in this lyrical story based on a Chinese folktale. Readers are transported to an unnamed past and place (identified in the author’s note as the Himalayan region) where Tashi’s mother becomes too sick to pick tea, and Tashi and her “cloud tea monkeys” save the day. The poetic text is vividly descriptive: “…a light the color of lemons was soaking into the sky and painting out the stars.” The deftly spun, emotionally resonant fairy-tale story—with its repulsive, mean plantation Overseer and at-first-intimidating Royal Tea Taster, who delights in Tashi’s impossible harvest—begs to be read aloud. No design detail is overlooked, from the gorgeous cover (and its glossy, raised, curling, monkey-shaped tea steam) forward. Wijngaard’s elegant, exquisitely etched gouache-and-ink illustrations of both characters and landscapes are splashed across spreads or framed on cream-colored paper with subtle geometric borders. Unlike cloud tea, an accessible treasure. (authors’ note) (Picture book. 5-9)
Pub Date: Feb. 1, 2010
ISBN: 978-0-7636-4453-6
Page Count: 56
Publisher: Candlewick
Review Posted Online: Dec. 31, 2010
Kirkus Reviews Issue: Feb. 15, 2010
The wriggly narrator of Diary of a Worm (2003) puts in occasional appearances, but it’s his arachnid buddy who takes center stage here, with terse, tongue-in-cheek comments on his likes (his close friend Fly, Charlotte’s Web), his dislikes (vacuums, people with big feet), nervous encounters with a huge Daddy Longlegs, his extended family—which includes a Grandpa more than willing to share hard-won wisdom (The secret to a long, happy life: “Never fall asleep in a shoe.”)—and mishaps both at spider school and on the human playground. Bliss endows his garden-dwellers with faces and the odd hat or other accessory, and creates cozy webs or burrows colorfully decorated with corks, scraps, plastic toys and other human detritus. Spider closes with the notion that we could all get along, “just like me and Fly,” if we but got to know one another. Once again, brilliantly hilarious. (Picture book. 6-8)
Pub Date: Aug. 1, 2005
ISBN: 0-06-000153-4
Page Count: 40
Publisher: Joanna Cotler/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2005
Rylant (Henry and Mudge and the Sneaky Crackers, 1998, etc.) slips into a sentimental mode for this latest outing of the boy and his dog, as she sends Mudge and Henry and his parents off on a camping trip. Each character is attended to, each personality sketched in a few brief words: Henry's mother is the camping veteran with outdoor savvy; Henry's father doesn't know a tent stake from a marshmallow fork, but he's got a guitar for campfire entertainment; and the principals are their usual ready-for-fun selves. There are sappy moments, e.g., after an evening of star- gazing, Rylant sends the family off to bed with: ``Everyone slept safe and sound and there were no bears, no scares. Just the clean smell of trees . . . and wonderful green dreams.'' With its nice tempo, the story is as toasty as its campfire and swaddled in Stevenson's trusty artwork. (Fiction. 6-8)
Pub Date: April 1, 1998
ISBN: 0-689-81175-6
Page Count: 48
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1998
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