Devoted fans of Turtle in July (1989) will savor each minute spent with this companion collection of chronologically organized poems from the prolific and versatile poet. This time, Singer spreads her evocative poems throughout a single day, from a robin “first to greet the light” and a cavorting otter out for a morning swim to ants in the afternoon, a camouflaged rabbit at dusk, the eponymous fireflies flashing at midnight, and on through the night to a mole digging in for sleep as a new dawn approaches. Singer once again captures the intrinsic character of each animal’s nature or movement through innovative poetic devices: swooping rhymes describing the playful otter, a rollicking rhythm for a poem about a horse, and a strong two-beat meter for a monarch butterfly that reflects the beating pattern of its wings. She divides the 14 poems evenly between rhyming and non-rhyming works, and all of them employ unusual rhyme schemes or structures. The innovative poetry is well complemented with unusual photographic illustrations that sometimes look like photographic collages and other times like watercolors or oil paintings. The volume’s thoughtful design includes firefly-spangled endpapers and a subtle reminder at the top of each poem delineating the time of day. The midnight blue cover with glowing fireflies hints at the magical nature of what lies inside: luminous poems that will stand the test of time. (Poetry. 5-10)
Pub Date: April 1, 2003
ISBN: 0-689-82492-0
Page Count: 32
Publisher: Atheneum
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2003
The wriggly narrator of Diary of a Worm (2003) puts in occasional appearances, but it’s his arachnid buddy who takes center stage here, with terse, tongue-in-cheek comments on his likes (his close friend Fly, Charlotte’s Web), his dislikes (vacuums, people with big feet), nervous encounters with a huge Daddy Longlegs, his extended family—which includes a Grandpa more than willing to share hard-won wisdom (The secret to a long, happy life: “Never fall asleep in a shoe.”)—and mishaps both at spider school and on the human playground. Bliss endows his garden-dwellers with faces and the odd hat or other accessory, and creates cozy webs or burrows colorfully decorated with corks, scraps, plastic toys and other human detritus. Spider closes with the notion that we could all get along, “just like me and Fly,” if we but got to know one another. Once again, brilliantly hilarious. (Picture book. 6-8)
Pub Date: Aug. 1, 2005
ISBN: 0-06-000153-4
Page Count: 40
Publisher: Joanna Cotler/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2005
Hee haw.
The print version of a knee-slapping cumulative ditty.
In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.
Hee haw. (Picture book. 5-7)Pub Date: May 1, 2010
ISBN: 978-0-545-26124-1
Page Count: 26
Publisher: Scholastic
Review Posted Online: Dec. 28, 2018
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