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THE GHOSTS OF GLENN DALE

An unevenly executed but often engaging supernatural thriller with elements of comedy.

In Reefe’s horror novel, a teenage girl possessed by a demon battles a local legend known as the Goatman.

The story begins in Bowie, Maryland, in the fall of 1988. Kate Dwyer starts having disturbing dreams around the same time that her new neighbor, Maya Suárez Martinez, moves into an abandoned house that used to belong to a serial killer called the the Butcher of Bowie; some believe that the killer is a boogeyman-like monster called the Goatman. It turns out that a demon named Raga is inhabiting Kate’s body; Maya, who’s a witch, helps her navigate her relationship with the demon possessing her using her own magical knowledge, charms, and family’s spell book. Then Steve and Chris, Kate’s brothers, return to town, and it’s revealed that they’re monster hunters. With her friends, Theresa Petruzzo and Jackie Engert, they investigate the Glenn Dale hospital and take on a monster called the Bunnyman. Afterward, Jackie and Kate’s crush, Jake Shaw, go missing, and Kate’s investigation reveals that Jake has been looking into the Goatman case on his own. The story eventually involves another powerful demon; the young monster-hunting crew, with the help of Raga and Maya, are soon on a multistep mission to destroy it. However, a few twists occur that make their quest far more difficult than expected. Reefe’s novel stars a colorful assortment of heroic and villainous characters, including a sassy protagonist, a highly perceptive witch, and a Twinkie-loving demon. The dialogue throughout the novel is sometimes quite funny, especially when the teenagers’ mannerisms begin to rub off on the demonic Raga: “That ghost was pissed”; “Your brother has serious issues.” However, the complicated plot can feel a bit muddled at times, and readers may find it difficult to follow due to its pacing, which proceeds at a brisk clip.

An unevenly executed but often engaging supernatural thriller with elements of comedy.

Pub Date: May 7, 2024

ISBN: 9781627205344

Page Count: 342

Publisher: Apprentice House

Review Posted Online: March 6, 2024

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THE DIVORCE

Trust no one in this over-the-top tale of deception and revenge.

Dead bodies turn up in the first sentence of the prologue in McFadden’s latest domestic thriller.

The mystery of who died is at the pulsating heart of this propulsive tale. As Chapter 1 begins, Naomi arrives home to find the locks changed on the front door of the gorgeous home she shares with her husband, Jeremy, and their 5-year-old son, Teddy. Jeremy steps out the front door and convinces Naomi to move out while he has their home renovated, a plan Naomi knows nothing about. It’s all a ruse, though, as the next day Jeremy tells her he wants a divorce. Naomi is shellshocked and soon discovers that Jeremy is having an affair with Veronica, a beautiful younger woman. What seems at first like a stereotypical story about a man who leaves his wife turns into something else when Naomi decides she’ll do anything to get Veronica away from Jeremy and Teddy, and Veronica decides to fight for what she thinks she deserves. Fans of stalker novels will cringe with delight as creepy things start to happen. Teddy’s stuffed elephant, a gift from Veronica, is found impaled on a kitchen knife; Naomi suspects Jeremy is gaslighting her and that Veronica tried to poison her. A weird confrontation among Jeremy, Veronica, and Naomi at Teddy’s birthday party, to which Naomi shows up uninvited, is priceless. There are three main characters, and any or all of them may be unreliable narrators. Packing the plot with dark, gasp-inducing twists, McFadden outdoes herself in a story about how highly emotional people engage in risky behavior to get what they want—but in this novel, for better or worse, not everyone will survive.

Trust no one in this over-the-top tale of deception and revenge.

Pub Date: May 26, 2026

ISBN: 9781464249631

Page Count: 368

Publisher: Poisoned Pen

Review Posted Online: April 20, 2026

Kirkus Reviews Issue: May 15, 2026

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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