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HENNA IS…

A joyful look at an important cultural tradition.

What is henna? And why do we use it?

Each spread of this picture book begins with a brief statement about henna, a powdered dye made from leaves of the henna tree. “Henna is nature,” Abbas tells us, “seeds sprouted into shrubs / leaves kissed by tropical rain / Plucked and dried under the golden sun / Pounded to powder.” Readers learn about henna’s various hues (“Henna is color / The orange of juicy mangoes… / Bright and smooth green… / Sun-kissed brown … / Black like kohl”) and where it’s commonly used: “Henna is place / South Asian / North and East African / Middle Eastern.” Marrying both art and function, henna can be used everyday or for special occasions. It looks beautiful when applied to the skin, it can be used to condition hair, and it’s a cooling agent, too. Henna is intricately tied to celebrations such as weddings, birthdays, and baby showers, as well as holidays including Diwali and Eid. Most pages end with the refrain “But henna is so much more” as Abbas segues into another aspect of henna. Writing in vivid, sensory language, she offers an all-encompassing exploration of the topic, accompanied by Chouhan’s enticing illustrations dominated by floral patterns and symbols from the various cultures where henna is popular. Nontraditional henna designs—smiley faces, ice cream cones, thunderbolts—appear, too, lending a playfulness to the art.

A joyful look at an important cultural tradition. (author’s note) (Informational picture book. 4-8)

Pub Date: July 23, 2024

ISBN: 9781250862662

Page Count: 32

Publisher: Feiwel & Friends

Review Posted Online: April 20, 2024

Kirkus Reviews Issue: May 15, 2024

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GIRLS ON THE RISE

Enthusiastic and direct, this paean has a lovely ring to it.

Former National Youth Poet Laureate Gorman invites girls to raise their voices and make a difference.

“Today, we finally have a say,” proclaims the first-person plural narration as three girls (one presents Black, another is brown-skinned, and the third is light-skinned) pass one another marshmallows on a stick around a campfire. In Wise’s textured, almost three-dimensional illustrations, the trio traverse fantastical, often abstract landscapes, playing, demonstrating, eating, and even flying, while confident rhymes sing their praises and celebrate collective female victories. The phrase “LIBERATION. FREEDOM. RESPECT” appears on a protest sign that bookends their journey. Simple and accessible, the rhythmic visual storytelling presents an optimistic vision of young people working toward a better world. Sometimes family members or other diverse comrades surround the girls, emphasizing that power comes from community. Gorman is careful to specify that “some of us go by she / And some of us go by they.” She affirms, too, that each person is “a different shape and size,” though the art doesn’t show much variation in body type. Characters also vary in ability. Real-life figures emerge as the girls dream of past luminaries such as author Octavia Butler and activist Marsha P. Johnson, along with present-day role models including poet and journalist Plestia Alaqad and athlete Sha’carri Richardson; silhouettes stand in for heroines as yet unknown. Imagining that “we are where change is going” is hopeful indeed.

Enthusiastic and direct, this paean has a lovely ring to it. (Picture book. 4-8)

Pub Date: Jan. 7, 2025

ISBN: 9780593624180

Page Count: 32

Publisher: Viking

Review Posted Online: Oct. 12, 2024

Kirkus Reviews Issue: Nov. 15, 2024

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FIND MOMO EVERYWHERE

From the Find Momo series , Vol. 7

A well-meaning but lackluster tribute.

Readers bid farewell to a beloved canine character.

Momo is—or was—an adorable and very photogenic border collie owned by author Knapp. The many readers who loved him in the previous half-dozen books are in for a shock with this one. “Momo had died” is the stark reality—and there are no photographs of him here. Instead, Momo has been replaced by a flat cartoonish pastiche with strange, staring round white eyes, inserted into some of Knapp’s photography (which remains appealing, insofar as it can be discerned under the mixed media). Previous books contained few or no words. Unfortunately, virtuosity behind a lens does not guarantee mastery of verse. The art here is accompanied by words that sometimes rhyme but never find a workable or predictable rhythm (“We’d fetch and we’d catch, / we’d run and we’d jump. Every day we found new / games to play”). It’s a pity, because the subject—a pet’s death—is an important one to address with children. Of course, Momo isn’t gone; he can still be found “everywhere” in memories. But alas, he can be found here only in the crude depictions of the darling dog so well known from the earlier books.

A well-meaning but lackluster tribute. (Picture book. 4-8)

Pub Date: Feb. 6, 2024

ISBN: 9781683693864

Page Count: 32

Publisher: Quirk Books

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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