Fans of Kenzaburo Oe’s Death by Water and Haruki Murakami’s 1Q84 will enjoy Ono’s enigmatic story.
Atmospheric tale, with shades of the procedural and the coming-of-age story, by Mishima Prize–winning novelist Ono.
Cross García Márquez and Simenon and set the piece on the Sea of Japan, and you’ll have a feel for Ono’s latest, told through the point of view of a middle schooler who’s uprooted from the city by her unambitious father, newly appointed the police chief of a small fishing village. Strange things are afoot there. Dad’s first friend is the town drunk, who’d “endured no real defeats, exhausted by an endless struggle against barriers (the enemy without) and hesitation (the enemy within).” The two stay up late, night after night, drinking while other townies make a sport of sending bottle rockets flying toward the home of a widow named Toshiko. Meanwhile, an election brings out political opponents, one of whom doesn’t have much of a platform except to keep those rockets out of the air, and more than a little whiff of corruption. Ono’s yarn brims with unexpected turns that not only link these matters, but also nimbly move the villagers backward and forward in time and space: Toshiko and the stumbling drunk have a connection that stretches across the sea to Manchuria, where a Japanese army of occupation behaved brutally during World War II, and now Chinese migrants are crossing the same waters in search of jobs in Japan, some dying miserably in the holds of rusting freighters even as a pollution-born red tide devastates the fisheries. Throughout, Ono peppers the story with magic-realist moments: The drunk finds a corpse buried in seaside muck that only he seems able to see while a "rock-like" fisherman and a chemically toxic colonel hover on the edges of an altogether beguiling, swiftly flowing story, one in which everything—well, almost everything—connects in the end.
Fans of Kenzaburo Oe’s Death by Water and Haruki Murakami’s 1Q84 will enjoy Ono’s enigmatic story.Pub Date: June 9, 2020
ISBN: 978-1-949641-03-5
Page Count: 160
Publisher: Two Lines Press
Review Posted Online: March 28, 2020
Kirkus Reviews Issue: April 15, 2020
BOOK REVIEW
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
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