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ICE CREAM SUMMER

From the Orchard series , Vol. 1

Enjoy a scoop of ice cream instead.

A slight mystery casts a shadow over New Amity.

Sarah and Lizzie are 11-year-old BFFs in a small New Hampshire town where Lizzie’s family owns an orchard. This summer, to their great delight, they get to run the ice cream stand. If they net $5,000, they will have enough money for their dream: a Halloween zombie hayride. Things start to go awry for Sarah when twins Peter and Olive show up and join the formerly two-person team. Sarah frets constantly that Lizzie will no longer be her friend; sharing is an unwelcome thought. Then a crisis occurs when the ice cream earnings disappear from the safe. Atwood characterizes her cast with descriptive but underdeveloped diversity. Sarah’s grandparents are from Iran, and she has “beige-brown skin.” Lizzie has “pale skin.” The twins have “huge brown eyes, medium-dark-brown skin, and curly hair,” and their two dads are Mr. and Mr. Wu. The whole town is something of a multicultural Platonic ideal. Hakeem observes Ramadan, and Aaron wears an apron that reads “KISS ME, I’M JEWISH.” Sveta and Dani Alvarez are a local power couple. None of the children use cellphones or computers. Readers may very well ponder why a town that holds Sunday morning Community Spirit meetings is so gung-ho to finance a Halloween activity and not a worthy cause. Digitized line drawings introduce each chapter in this first of a series for each season.

Enjoy a scoop of ice cream instead. (Fiction. 8-11)

Pub Date: May 2, 2017

ISBN: 978-1-4814-9047-4

Page Count: 224

Publisher: Aladdin

Review Posted Online: March 5, 2017

Kirkus Reviews Issue: March 15, 2017

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DIARY OF A WIMPY KID

A NOVEL IN CARTOONS

From the Diary of a Wimpy Kid series , Vol. 1

Certain to elicit both gales of giggles and winces of sympathy (not to mention recognition) from young readers.

First volume of a planned three, this edited version of an ongoing online serial records a middle-school everykid’s triumphs and (more often) tribulations through the course of a school year.

Largely through his own fault, mishaps seem to plague Greg at every turn, from the minor freak-outs of finding himself permanently seated in class between two pierced stoners and then being saddled with his mom for a substitute teacher, to being forced to wrestle in gym with a weird classmate who has invited him to view his “secret freckle.” Presented in a mix of legible “hand-lettered” text and lots of simple cartoon illustrations with the punch lines often in dialogue balloons, Greg’s escapades, unwavering self-interest and sardonic commentary are a hoot and a half. 

Certain to elicit both gales of giggles and winces of sympathy (not to mention recognition) from young readers. (Fiction. 9-11)

Pub Date: April 1, 2007

ISBN: 0-8109-9313-9

Page Count: 224

Publisher: Amulet/Abrams

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 2007

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ESCAPE FROM BAXTERS' BARN

Ironically, by choosing such a dramatic catalyst, the author weakens the adventure’s impact overall and leaves readers to...

A group of talking farm animals catches wind of the farm owner’s intention to burn the barn (with them in it) for insurance money and hatches a plan to flee.

Bond begins briskly—within the first 10 pages, barn cat Burdock has overheard Dewey Baxter’s nefarious plan, and by Page 17, all of the farm animals have been introduced and Burdock is sharing the terrifying news. Grady, Dewey’s (ever-so-slightly) more principled brother, refuses to go along, but instead of standing his ground, he simply disappears. This leaves the animals to fend for themselves. They do so by relying on their individual strengths and one another. Their talents and personalities match their species, bringing an element of realism to balance the fantasy elements. However, nothing can truly compensate for the bland horror of the premise. Not the growing sense of family among the animals, the serendipitous intervention of an unknown inhabitant of the barn, nor the convenient discovery of an alternate home. Meanwhile, Bond’s black-and-white drawings, justly compared to those of Garth Williams, amplify the sense of dissonance. Charming vignettes and single- and double-page illustrations create a pastoral world into which the threat of large-scale violence comes as a shock.

Ironically, by choosing such a dramatic catalyst, the author weakens the adventure’s impact overall and leaves readers to ponder the awkward coincidences that propel the plot. (Animal fantasy. 8-10)

Pub Date: July 7, 2015

ISBN: 978-0-544-33217-1

Page Count: 256

Publisher: HMH Books

Review Posted Online: March 31, 2015

Kirkus Reviews Issue: April 15, 2015

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