A solid addition to the back-to-school shelves.
Siblings learn to adjust to a new normal when big sister Liza starts kindergarten and little brother Henry must learn to get along without her.
Henry and Liza, a brown-skinned sibling pair with kinky-curly brown hair, have been together “as long as there had been Henry and Liza.” They read, explore the outdoors, play, and get haircuts and flu shots together. One of their favorite things to do is to visit their Best Place under the Twisty Tree, but as its yellowing leaves—a prominent theme throughout—portend, things are about to change. When Liza gets a new backpack, Henry learns that not only is he not old enough to go to school, but his skills at writing, drawing, and using scissors are not enough to gain him entry. As leaves flutter down around him, Henry lets out a “ROARRRRRR!” The theme of leaves continues on the wallpaper as Henry storms upstairs to a blanket fort in which “no kindergartners [are] allowed!” Working through his anger, Henry discovers that there are lots of things he can do without Liza. As he gets lost in his imagination, a process delightfully played out in Marley’s empathetic cartoons, he starts to enjoy himself and realizes there may be some benefits to Liza’s absence. This book deftly explores a topic not often seen in the back-to-school genre: the experience of the younger sibling. (This book was reviewed digitally.)
A solid addition to the back-to-school shelves. (Picture book. 3-5)Pub Date: June 29, 2021
ISBN: 978-1-328-91675-4
Page Count: 40
Publisher: Clarion Books
Review Posted Online: May 18, 2021
Kirkus Reviews Issue: June 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A heartwarming story about facing fears and acceptance.
A boy with wings learns to be himself and inspires others like him to soar, too.
Norman, a “perfectly normal” boy, never dreamed he might grow wings. Afraid of what his parents might say, he hides his new wings under a big, stuffy coat. Although the coat hides his wings from the world, Norman no longer finds joy in bathtime, playing at the park, swimming, or birthday parties. With the gentle encouragement of his parents, who see his sadness, Norman finds the courage to come out of hiding and soar. Percival (The Magic Looking Glass, 2017, etc.) depicts Norman with light skin and dark hair. Black-and-white illustrations show his father with dark skin and hair and his mother as white. The contrast of black-and-white illustrations with splashes of bright color complements the story’s theme. While Norman tries to be “normal,” the world and people around him look black and gray, but his coat stands out in yellow. Birds pop from the page in pink, green, and blue, emphasizing the joy and beauty of flying free. The final spread, full of bright color and multiracial children in flight, sets the mood for Norman’s realization on the last page that there is “no such thing as perfectly normal,” but he can be “perfectly Norman.”
A heartwarming story about facing fears and acceptance. (Picture book. 3-5)Pub Date: May 1, 2018
ISBN: 978-1-68119-785-2
Page Count: 32
Publisher: Bloomsbury
Review Posted Online: March 3, 2018
Kirkus Reviews Issue: March 15, 2018
Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
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