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WITCHES OF EAST END

From the Witches of East End series , Vol. 1

Fantasy for well-read adults.

First in de la Cruz’s debut adult series about the adventures of a family of Long Island witches.

The author, known for her Blue Bloods YA series featuring undead Manhattan debutantes, again does not have to stretch for likely settings—the Hamptons are the ideal home base for the Beauchamps, a mother and two daughters, longtime residents. Quite a longtime in fact—ever since Salem witch hunters hanged the two daughters, Ingrid and Freya, who were later reborn to their mother, Joanna. After Salem, witchly higher-ups restricted the open deployment of magical powers. The Beauchamps are so deep undercover that the community they inhabit, “North Hampton,” does not appear on any map. This Hampton is refreshingly devoid of rich people until two brothers, Bran and Killian, arrive to restore Fair Haven, their ancestral mansion. Freya, a bartender, recognizes an ancient soul mate in Bran, and they announce their engagement at a lavish Fair Haven party. Nevertheless, she can’t resist shagging preternaturally handsome Killian in the bathroom during the party. Public librarian Ingrid is chafing at the magic ban—with a simple incantation, she could easily cure a distraught co-worker’s infertility. Soon Ingrid is exchanging salutary spells for contributions to the library fund. When she’s not torn between two lovers, Freya lapses back into her own peculiar brand of magic—her aphrodisiac cocktails perform as advertised. Most daringly of all, Joanna raises a local artist from the dead. But once unleashed, the white magic provokes dark retribution: An undersea miasma is killing off fish and wild life, children are contracting a deadly influenza, vampires (vacationing Blue Bloods?) are infiltrating and the police are “liking” the witches for homicide. But this is secular 21st-century New York, not puritan colonial Massachusetts. Things have changed—haven’t they? A decidedly weird mishmash of mythologies, a serpentine plot and a thicket of back stories intertwine as de la Cruz sets up the continuing saga, but it all gels magnificently.

Fantasy for well-read adults.

Pub Date: June 1, 2011

ISBN: 978-1-4013-2390-5

Page Count: 288

Publisher: Hyperion

Review Posted Online: April 18, 2011

Kirkus Reviews Issue: May 1, 2011

Categories:
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THE HOUSE IN THE CERULEAN SEA

A breezy and fun contemporary fantasy.

A tightly wound caseworker is pushed out of his comfort zone when he’s sent to observe a remote orphanage for magical children.

Linus Baker loves rules, which makes him perfectly suited for his job as a midlevel bureaucrat working for the Department in Charge of Magical Youth, where he investigates orphanages for children who can do things like make objects float, who have tails or feathers, and even those who are young witches. Linus clings to the notion that his job is about saving children from cruel or dangerous homes, but really he’s a cog in a government machine that treats magical children as second-class citizens. When Extremely Upper Management sends for Linus, he learns that his next assignment is a mission to an island orphanage for especially dangerous kids. He is to stay on the island for a month and write reports for Extremely Upper Management, which warns him to be especially meticulous in his observations. When he reaches the island, he meets extraordinary kids like Talia the gnome, Theodore the wyvern, and Chauncey, an amorphous blob whose parentage is unknown. The proprietor of the orphanage is a strange but charming man named Arthur, who makes it clear to Linus that he will do anything in his power to give his charges a loving home on the island. As Linus spends more time with Arthur and the kids, he starts to question a world that would shun them for being different, and he even develops romantic feelings for Arthur. Lambda Literary Award–winning author Klune (The Art of Breathing, 2019, etc.) has a knack for creating endearing characters, and readers will grow to love Arthur and the orphans alongside Linus. Linus himself is a lovable protagonist despite his prickliness, and Klune aptly handles his evolving feelings and morals. The prose is a touch wooden in places, but fans of quirky fantasy will eat it up.

A breezy and fun contemporary fantasy.

Pub Date: March 17, 2020

ISBN: 978-1-250-21728-8

Page Count: 352

Publisher: Tor

Review Posted Online: Nov. 10, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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A BLIGHT OF BLACKWINGS

A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.

Book 2 of Hearne's latest fantasy trilogy, The Seven Kennings (A Plague of Giants, 2017), set in a multiracial world thrust into turmoil by an invasion of peculiar giants.

In this world, most races have their own particular magical endowment, or “kenning,” though there are downsides to trying to gain the magic (an excellent chance of being killed instead) and using it (rapid aging and death). Most recently discovered is the sixth kenning, whose beneficiaries can talk to and command animals. The story canters along, although with multiple first-person narrators, it's confusing at times. Some characters are familiar, others are new, most of them with their own problems to solve, all somehow caught up in the grand design. To escape her overbearing father and the unreasoning violence his kind represents, fire-giant Olet Kanek leads her followers into the far north, hoping to found a new city where the races and kennings can peacefully coexist. Joining Olet are young Abhinava Khose, discoverer of the sixth kenning, and, later, Koesha Gansu (kenning: air), captain of an all-female crew shipwrecked by deep-sea monsters. Elsewhere, Hanima, who commands hive insects, struggles to free her city from the iron grip of wealthy, callous merchant monarchists. Other threads focus on the Bone Giants, relentless invaders seeking the still-unknown seventh kenning, whose confidence that this can defeat the other six is deeply disturbing. Under Hearne's light touch, these elements mesh perfectly, presenting an inventive, eye-filling panorama; satisfying (and, where appropriate, well-resolved) plotlines; and tensions between the races and their kennings to supply much of the drama.

A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.

Pub Date: Feb. 4, 2020

ISBN: 978-0-345-54857-3

Page Count: 592

Publisher: Del Rey/Ballantine

Review Posted Online: Nov. 24, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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