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FAIR WARNING

Darkly essential reading for every genre fan who’s ever considered sending a swab to a mail-order DNA testing service.

Awards & Accolades

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  • Readers Vote
  • 16


Our Verdict

  • Our Verdict
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  • Kirkus Reviews'
    Best Books Of 2020


  • New York Times Bestseller

A first-rate case for Connelly’s third-string detective, bulldog journalist Jack McEvoy, who’s been biding his time since The Scarecrow (2009) as Harry Bosch and the Lincoln Lawyer have hogged the spotlight.

The consumer-protection website FairWarning can’t hold a candle to the LA Times, where Jack once plied his trade. The real problem this time, though, is that the cops come to Jack rather than vice versa, as a person of interest who had a one-night stand a year ago with Christina Portrero, whose latest one-night stand broke her neck. In fact, Jack quickly discovers, Tina was only the most recent among a number of women who died of atlanto-occipital dislocation—several of them erroneously listed as accidents, all of them clients of the genetic testing firm GT23. Why would sending out your DNA for genetic information put you at enormously increased risk of falling victim to a brutal killer who calls himself the Shrike? The answer to the question of how “predators now can custom-order their victims,” which lies in the DRD4 gene, is guaranteed to make even the most hard-bitten readers queasy. Throughout his pursuit of the killer, the LAPD’s pursuit of him, and his unwilling partnerships with fellow journalist Emily Atwater and former FBI agent Rachel Walling, Jack works the case with a dogged professionalism, a mastery of detail, and a scarred but oversized heart that puts most of his police procedural cousins to shame.

Darkly essential reading for every genre fan who’s ever considered sending a swab to a mail-order DNA testing service.

Pub Date: May 26, 2020

ISBN: 978-0-31653-942-5

Page Count: 416

Publisher: Little, Brown

Review Posted Online: May 17, 2020

Kirkus Reviews Issue: June 1, 2020

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THE UNKNOWN

This thriller’s eerie mood is deflated by a plot with more holes than a Halloween sheet.

Could making a movie about the disappearance of five women from an island reawaken an evil presence there?

Five dresses hang from the topmost limbs of an oak on a remote island in a Vermont lake. That memorable image marks a mystery from a century ago, when five women believed to have been part of a commune vanished forever. As this novel opens, another group gathers on the island to make a movie based on that tale. Marin Keane, the narrator, is surprised but thrilled to find herself cast as one of the leads; she’s a struggling actor whose biggest part so far has been “Bridesmaid with Eczema” in a drug commercial, so playing Daisy Rue, whose haunting diary is the basis for the movie’s script, could be a career-making move. Ronan Peters, the writer-director, is talented and, Marin notes, hot. His reason for gathering the cast on the island is a kind of boot-camp rehearsal: They’ll spend a week living there, wearing period clothes, and managing without internet or phone service. Oh, and holding séances. What could go wrong? Marin quickly meets the other women in the cast: regal character actor Julianne Brown, cool and competent Heather Benchley, bratty former Disney star Susie Hutchinson, and, striking awe in all of them, Violet Wright, a much-awarded Meryl Streep-ish figure who will play the woman who brought the others to the island, which she owned. They get to work, but soon enough someone disappears. The book’s plot, like the movie’s script, largely follows Daisy’s journal, and since the reader is supplied with pages-long sections of that journal, there’s not much suspense about what will happen next. There are some effective set pieces, such as the group’s first séance. But in its last quarter, the plot collapses into a muddle of #MeToo vengeance, improbable secrets, and jarring character reveals that is, as Marin says, “the most Scooby-Doo thing I’ve ever heard.”

This thriller’s eerie mood is deflated by a plot with more holes than a Halloween sheet.

Pub Date: Aug. 4, 2026

ISBN: 9798217044092

Page Count: 368

Publisher: Dutton

Review Posted Online: June 1, 2026

Kirkus Reviews Issue: July 1, 2026

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THE DIVORCE

Trust no one in this over-the-top tale of deception and revenge.

Dead bodies turn up in the first sentence of the prologue in McFadden’s latest domestic thriller.

The mystery of who died is at the pulsating heart of this propulsive tale. As Chapter 1 begins, Naomi arrives home to find the locks changed on the front door of the gorgeous home she shares with her husband, Jeremy, and their 5-year-old son, Teddy. Jeremy steps out the front door and convinces Naomi to move out while he has their home renovated, a plan Naomi knows nothing about. It’s all a ruse, though, as the next day Jeremy tells her he wants a divorce. Naomi is shellshocked and soon discovers that Jeremy is having an affair with Veronica, a beautiful younger woman. What seems at first like a stereotypical story about a man who leaves his wife turns into something else when Naomi decides she’ll do anything to get Veronica away from Jeremy and Teddy, and Veronica decides to fight for what she thinks she deserves. Fans of stalker novels will cringe with delight as creepy things start to happen. Teddy’s stuffed elephant, a gift from Veronica, is found impaled on a kitchen knife; Naomi suspects Jeremy is gaslighting her and that Veronica tried to poison her. A weird confrontation among Jeremy, Veronica, and Naomi at Teddy’s birthday party, to which Naomi shows up uninvited, is priceless. There are three main characters, and any or all of them may be unreliable narrators. Packing the plot with dark, gasp-inducing twists, McFadden outdoes herself in a story about how highly emotional people engage in risky behavior to get what they want—but in this novel, for better or worse, not everyone will survive.

Trust no one in this over-the-top tale of deception and revenge.

Pub Date: May 26, 2026

ISBN: 9781464249631

Page Count: 368

Publisher: Poisoned Pen

Review Posted Online: April 20, 2026

Kirkus Reviews Issue: May 15, 2026

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