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SAINT JAMES INFIRMARY

A spellbinding road trip.

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  • Kirkus Reviews'
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A man and his buddy’s corpse journey through the South and its musical legacy in this novel.

It’s 1978, and washed-up folk singer Jim Logan is hanging out in New Orleans with his friend and one-time guitar partner Tom Parrish when Tom up and dies. Fulfilling a promise, Jim sticks Tom in a pine coffin, loads him into a 1951 Ford Country Squire station wagon, and sets out to drive him to Richmond, Virginia, for an improvised burial—all the while pursued by lowlifes in a Chrysler who want to retrieve a valuable diamond Tom swallowed before he died. That’s all the plot device needed to propel this luxurious shaggy dog story onward as Jim drives the back roads, observes the world passing by, and reminisces about his past, goaded by mellow conversational interjections from the voice of Tom’s ghost. The loose-jointed tale unfolds in episodic chapters, almost stand-alone short stories, that introduce Jim to people and places with a musical resonance. He visits the grave of a Delta bluesman; bestows his guitar on a poor boy; gives a ride to a woman in red singing a mysterious song; tours the Shiloh battlefield and discovers a Union soldier’s letter home describing the music of runaway slaves; and visits Elvis Presley’s birthplace, finding it a site of brisk commerce and heartbroken recollections for fans of the King. Jim also meets Chilly Antone, the once-well-known Senator of Western Swing, lobbying to get into the Country Music Hall of Fame; buys a banjo from a hillbilly luthier; spends an afternoon with an old flame; and drinks with other women, hard-boiled and softhearted, in various bars where honky-tonk jukebox soundtracks play in the background. Heslin’s (The Collapse of the Broadway Central, 2018) atmospheric yarn is less a linear narrative than a collection of character studies, landscapes, and soundscapes tied together by Jim’s ruminations on his own and the nation’s souls. It takes in an America of small-town cafes featuring seen-it-all waitresses, stolid national park rangers putting a wholesome face on the bloody chaos of the past, and the ceaseless current of traffic on highways washing past an archipelago of gas stations, set to the ubiquitous sound of pop, rock, and country and braying AM disk jockeys. The author skillfully evokes all these varied voices, from washerwomen to drunken sailors to prim grandmothers, in vignettes that are by turns pungent, funny, melancholy, and wistful, all rendered in a wonderfully impressionistic vernacular that brings to mind a blend of Faulkner and Kerouac. (“In the middle of a thunderstorm, smack inside the corporate limit of Burma Shave, you pick up Bessie Smith and you think you must be drifting off, there’s been no broadcast since the chicken and cornbread at Pep’s Missing Link Cafe, forty miles or so, but there she is, courtesy of a handful of watts somewhere, there she is on the outskirts of winter wheat with the victrola in her voice and your tank more full than empty.”) It’s not always clear where Jim and Tom are headed, but readers who like superb prose and compelling characters will be happy to ride along.

A spellbinding road trip.

Pub Date: May 7, 2018

ISBN: 978-1-941138-92-2

Page Count: 170

Publisher: Three Knolls Publishing

Review Posted Online: May 2, 2019

Kirkus Reviews Issue: June 15, 2019

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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BETWEEN SISTERS

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...

Sisters in and out of love.

Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.

Pub Date: May 1, 2003

ISBN: 0-345-45073-6

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 2003

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