A considerable novel populated by a cast of memorable characters, who enhance the Mars backdrop instead of depending on it.
A young man on a Mars colony evades corrupt agents of Earth and learns the truth of his origins in the author’s debut sci-fi/action novel.
Thom is like any other teen—he excels at sports and is contemplating his future. He’s also living on Mars. But after his grandfather dies, everything changes. Thom, a possible suspect, is questioned by authorities. Things only get worse. Two men try to kidnap him and kill his friends, and Thom learns that a bounty hunter, Myron, has been enlisted to track him down. All of his woes can be traced to a war with Martian natives known as the Velitrans, and Thom finds unlikely allies in fighting the Eua, the unquestionably shady government of Earth. Marsh’s plot speeds along with plenty of action scenes, which include one when Elaine—the sister of one of Thom’s friends—escapes captivity and helps Rosha, who leads Thom, et al., to the Velitrans. But it’s the environment and characters that make the book a standout. Mars is a well-established home. It has its own sport, called "endurance," which is essentially a race between teams armed with electrically charged sticks; its own vehicles, such as a “floater”; and its own profanity—the term “fugging” and its variants are a popular word choice. Characters are likable all around, even the villains—the world-weary Detective Cooper-Fonda is so desperate for control he gives himself the call sign of “Boss.” Desmond, “Desi” to his friends, is perhaps the book’s best character. He supplies much of the humor, incessantly complaining that people don’t bother to learn his name, but he’s also a skilled programmer, rewriting a com’s operating system in mere minutes, and has ties to the main plot—Myron grabs Desi first before looking for Thom. The work includes enjoyable add-ons like a bad guy identified by a discernible wound (a defensive bite from Elaine), as well as a bulky second-to-last chapter, with multiple characters converging for a searing action set piece.
A considerable novel populated by a cast of memorable characters, who enhance the Mars backdrop instead of depending on it.Pub Date: July 30, 2012
ISBN: 978-1478279068
Page Count: 272
Publisher: CreateSpace
Review Posted Online: Oct. 11, 2012
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the...
Brown presents the second installment of his epic science-fiction trilogy, and like the first (Red Rising, 2014), it’s chock-full of interpersonal tension, class conflict and violence.
The opening reintroduces us to Darrow au Andromedus, whose wife, Eo, was killed in the first volume. Also known as the Reaper, Darrow is a lancer in the House of Augustus and is still looking for revenge on the Golds, who are both in control and in the ascendant. The novel opens with a galactic war game, seemingly a simulation, but Darrow’s opponent, Karnus au Bellona, makes it very real when he rams Darrow’s ship and causes a large number of fatalities. In the main narrative thread, Darrow has infiltrated the Golds and continues to seek ways to subvert their oppressive and dominant culture. The world Brown creates here is both dense and densely populated, with a curious amalgam of the classical, the medieval and the futuristic. Characters with names like Cassius, Pliny, Theodora and Nero coexist—sometimes uneasily—with Daxo, Kavax and Sevro. And the characters inhabit a world with a vaguely medieval social hierarchy yet containing futuristic technology such as gravBoots. Amid the chronological murkiness, one thing is clear—Darrow is an assertive hero claiming as a birthright his obligation to fight against oppression: "For seven hundred years we have been enslaved….We have been kept in darkness. But there will come a day when we walk in the light." Stirring—and archetypal—stuff.
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the future and quasi-historicism.Pub Date: Jan. 6, 2015
ISBN: 978-0-345-53981-6
Page Count: 448
Publisher: Del Rey/Ballantine
Review Posted Online: Oct. 22, 2014
Kirkus Reviews Issue: Nov. 1, 2014
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
