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AMBROSE BIERCE AND THE QUEEN OF SPADES

The veteran author of such high-spirited realistic romances as The Bad Lands (1978), among others, moves in on Caleb Carr’s territory with this colorful historical picaresque. Hall’s agreeable hero (and narrator) is 20ish Tom Redmond, an “apprentice journalist” working (in the early 1800s) for a San Francisco “satirical weekly” (The Hornet) who’s the wary protÇgÇ of celebrated writer and misanthrope Ambrose Bierce. Tom’s education moves into overdrive when Bierce’s interest is piqued by a series of vicious murders of women, whose bodies are left decorated by playing cards (all spades). The cub reporter’s tentative research leads to the discovery of a complex stock fraud that points—despite Bierce’s antimonopolistic suspicions (he believes the Southern Pacific Railroad guilty of everything)—to a mysterious cooperative: “the Society of Spades in Virginia City [Nevada], which was convened in order to purchase the Jack of Spades Mine.” But that’s only the beginning, in a beautifully paced thriller that also involves senatorial duplicity, a high-profile divorce, a bizarre case of concealed parentage that must have Wilkie Collins spinning in his grave with envy, and such deliciously devious supporting characters as procuress (and reported black magician) Mammy Pleasant, suspicious Chief of Detectives Isaiah Pusey, and “Highgrade Carrie” Stearns, “the Miners’ Angel” (in more than one sense). Tom weathers all the storms more than manfully—even if it seems he’ll never win the plucky Amelia Brittain. And Hall has the admirable good sense to surrender generous swatches of the narrative to “Bitter Bierce,” who declares himself “the sworn enemy of piffle,” not to mention Southern Pacific, organized religion, “femininnies,— and mogul —úeland $tanford,— among numerous others. And how can you dislike a curmudgeon capable of such invective as “This murderer’s adiposity is casting a shadow on my eggs that I fear will turn them rancid—? Superlative entertainment. Has Oakley Hall really been this good all along, and if so why isn’t his fiction better known?

Pub Date: Nov. 1, 1998

ISBN: 0-520-21555-9

Page Count: 321

Publisher: Univ. of California

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 1998

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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ALL THE LIGHT WE CANNOT SEE

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 5, 2014

Kirkus Reviews Issue: March 15, 2014

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