Maybe the next episode will be less derivative. There’s always hope.
The second doll-sized literary mashup to come out of a wimpy kid’s magic closet (see Wonkenstein, 2011) adds wizardly spells and, far more frequently, noxious smells to a standard catalog of preteen misadventures.
Having reintroduced his family (“I mean my mom calls me Ribert, and if she’s not humiliating me, she’s sleeping”), Robert explains the origins of the pocket companion he dubs “Hairy.” He chattily goes on to record efforts to save his little buddy from rough friends, his little brother, a garbage truck and an aggressive owl, along with his repeated transformation into a dork whenever he runs into dreamboat neighbor Janae. Amid references to monkey waste, a modified version of Old Maid called “Yo Mama” and other strained laffs, he recruits said friends to reform a bully by tying the punk to a graveyard tree one night. He also creates what turns out to be a revolting concoction for a cooking contest in hopes of appearing on Average Chef, “TV’s third most watched reality cooking show.” Still sailing along in Jeff Kinney’s wake format-wise, Skye presents Rob’s tally of haps and mishaps in a mix of block print and frequent, wobbly line drawings with punch lines and side remarks in dialogue balloons. In the end, Hairy leaves his tiny wand as a keepsake and returns to the closet, setting the stage for Rob’s next visitor: Pinocula.
Maybe the next episode will be less derivative. There’s always hope. (Comic fantasy. 9-11)Pub Date: Sept. 18, 2012
ISBN: 978-0-8050-9451-0
Page Count: 256
Publisher: Christy Ottaviano/Henry Holt
Review Posted Online: June 26, 2012
Kirkus Reviews Issue: July 15, 2012
Medically, both squicky and hopeful; emotionally, unbelievably squeaky-clean.
A 12-year-old copes with a brain tumor.
Maddie likes potatoes and fake mustaches. Kids at school are nice (except one whom readers will see instantly is a bully); soon they’ll get to perform Shakespeare scenes in a unit they’ve all been looking forward to. But recent dysfunctions in Maddie’s arm and leg mean, stunningly, that she has a brain tumor. She has two surgeries, the first successful, the second taking place after the book’s end, leaving readers hanging. The tumor’s not malignant, but it—or the surgeries—could cause sight loss, personality change, or death. The descriptions of surgery aren’t for the faint of heart. The authors—parents of a real-life Maddie who really had a brain tumor—imbue fictional Maddie’s first-person narration with quirky turns of phrase (“For the love of potatoes!”) and whimsy (she imagines her medical battles as epic fantasy fights and pretends MRI stands for Mustard Rat from Indiana or Mustaches Rock Importantly), but they also portray her as a model sick kid. She’s frightened but never acts out, snaps, or resists. Her most frequent commentary about the tumor, having her skull opened, and the possibility of death is “Boo” or “Super boo.” She even shoulders the bully’s redemption. Maddie and most characters are white; one cringe-inducing hallucinatory surgery dream involves “chanting island natives” and a “witch doctor lady.”
Medically, both squicky and hopeful; emotionally, unbelievably squeaky-clean. (authors’ note, discussion questions) (Fiction. 9-11)Pub Date: Oct. 3, 2017
ISBN: 978-1-62972-330-3
Page Count: 256
Publisher: Shadow Mountain
Review Posted Online: Aug. 1, 2017
Kirkus Reviews Issue: Aug. 15, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the...
At a time when death has become an acceptable, even voguish subject in children's fiction, Natalie Babbitt comes through with a stylistic gem about living forever.
Protected Winnie, the ten-year-old heroine, is not immortal, but when she comes upon young Jesse Tuck drinking from a secret spring in her parents' woods, she finds herself involved with a family who, having innocently drunk the same water some 87 years earlier, haven't aged a moment since. Though the mood is delicate, there is no lack of action, with the Tucks (previously suspected of witchcraft) now pursued for kidnapping Winnie; Mae Tuck, the middle aged mother, striking and killing a stranger who is onto their secret and would sell the water; and Winnie taking Mae's place in prison so that the Tucks can get away before she is hanged from the neck until....? Though Babbitt makes the family a sad one, most of their reasons for discontent are circumstantial and there isn't a great deal of wisdom to be gleaned from their fate or Winnie's decision not to share it.
Pub Date: Nov. 1, 1975
ISBN: 0312369816
Page Count: 164
Publisher: Farrar, Straus and Giroux
Review Posted Online: April 13, 2012
Kirkus Reviews Issue: Nov. 1, 1975
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