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AWAKENINGS

Name: AWAKENINGS
Author: Oliver Sacks
ISBN: 0375704051

by Oliver Sacks ‧ RELEASE DATE: July 12, 1974

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L-DOPA has been hailed by researchers as a "miracle drug," a "cure" for schizophrenia. Sacks provides 20 case histories of patients to whom the drug was administered, most of them victims of the "sleeping sickness" epidemic of the 1920's, further complicated by Parkinsonian symptoms: that is, their volition was undermined, they had difficulty in starting and stopping movements (though the problem was not muscular). The fact that they remained thinking, feeling beings placed them in a sort of "ontological death": conscious, yet not fully awake. The results of L-DOPA were inconsistent and unpredictable. It produced an "awakening," but one which was almost universally followed by "tribulation," some instances of which led back to the pre-DOPA state, others to even further fragmentation of personality. One patient called the drug, "hell-DOPA"; another said, "If you ask whether L-DOPA is good or bad for me, I'd say it was both. It has wonderful effects, but there is a hell of a 'but' . . ." Some effected a final "accommodation," a new level of being far richer than the pre-DOPA level. Sacks argues that "altering. . . chemical circumstances may be a prerequisite to any other alteration; but that it is not, in itself, enough." A drug cannot fulfill psychological needs, and it may intensify those needs when they are not otherwise met. In the eerie shadow-world where mind and body meet, Sacks remains extraordinarily compassionate and perceptive. A sagacious, discerning book.

Pub Date: July 12, 1974

ISBN: 0375704051

Page Count: 466

Publisher: N/A

Review Posted Online: Jan. 4, 2013

Kirkus Reviews Issue: July 1, 1974

Categories:

GENERAL NONFICTION

- BOOK REVIEW
LETTERS
by Oliver Sacks ; edited by Kate Edgar

- BOOK REVIEW
EVERYTHING IN ITS PLACE
by Oliver Sacks

- BOOK REVIEW
THE RIVER OF CONSCIOUSNESS
by Oliver Sacks

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NUTCRACKER

by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996

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This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE NUTCRACKER AND THE MOUSE KING
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson

- BOOK REVIEW
THE NUTCRACKER
by E.T.A. Hoffmann & illustrated by Julie Paschkis

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955

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An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.