An intriguing beginning; readers will clamor for the follow-up.
A high-octane outer-space adventure slated to be the first in a twosome.
Preteens Robbi and Azure are best friends, though the girls couldn’t be more opposite: Robbi is a sensitive dreamer, while Azure is a driven go-getter with a short temper. Azure’s biggest dream is to be picked for Laddertop. This is a program of the Givers, aliens who claim to help conserve Earth’s resources by building power-providing space stations 36,000 feet above the Earth; these are reached by giant ladders. Children are chosen to attend Laddertop since their small stature makes it possible for them to perform maintenance in the cramped spaces. Azure is delighted to learn she’s picked for the mission, but Robbi is more reluctant. She reveals that her stepfather is abusive, and she worries about the safety of her younger siblings in her absence. Once in the Laddertop training program, strange things begin to happen to Robbi: She's bitten by a strange creature that imprints her with a tattoo that periodically bleeds, and she is plagued by strange dreams. The main characters in this volume are largely female, strong and intelligent, a wonderful departure from male-dominated extraterrestrial offerings. Ibardolaza’s muscular art blends manga and Western aesthetics.
An intriguing beginning; readers will clamor for the follow-up. (Graphic science fiction. 12 & up)Pub Date: Sept. 27, 2011
ISBN: 978-0-7653-2460-3
Page Count: 192
Publisher: Tor
Review Posted Online: April 5, 2011
Kirkus Reviews Issue: Aug. 15, 2011
Even so, this remains Macbeth, arguably the Bard of Avon’s most durable and multilayered tragedy, and overall, this enhanced...
A pairing of the text of the Scottish Play with a filmed performance, designed with the Shakespeare novice in mind.
The left side of the screen of this enhanced e-book contains a full version of Macbeth, while the right side includes a performance of the dialogue shown (approximately 20 lines’ worth per page). This granular focus allows newcomers to experience the nuances of the play, which is rich in irony, hidden intentions and sudden shifts in emotional temperature. The set and costuming are deliberately simple: The background is white, and Macbeth’s “armor” is a leather jacket. But nobody’s dumbing down their performances. Francesca Faridany is particularly good as a tightly coiled Lady Macbeth; Raphael Nash-Thompson gives his roles as the drunken porter and a witch a garrulousness that carries an entertainingly sinister edge. The presentation is not without its hiccups. Matching the video on the right with the text on the left means routinely cutting off dramatic moments; at one point, users have to swipe to see and read the second half of a scene’s closing couplet—presumably an easy fix. A “tap to translate” button on each page puts the text into plain English, but the pop-up text covers up Shakespeare’s original, denying any attempts at comparison; moreover, the translation mainly redefines more obscure words, suggesting that smaller pop-ups for individual terms might be more meaningful.
Even so, this remains Macbeth, arguably the Bard of Avon’s most durable and multilayered tragedy, and overall, this enhanced e-book makes the play appealing and graspable to students . (Enhanced e-book. 12 & up)Pub Date: Sept. 9, 2013
ISBN: N/A
Page Count: -
Publisher: The New Book Press LLC
Review Posted Online: Nov. 6, 2013
Kirkus Reviews Issue: Dec. 1, 2013
Using modern language, McDonald spins the well-known tale of the two young, unrequited lovers. Set against Nagar’s at-times...
A bland, uninspired graphic adaptation of the Bard’s renowned love story.
Using modern language, McDonald spins the well-known tale of the two young, unrequited lovers. Set against Nagar’s at-times oddly psychedelic-tinged backgrounds of cool blues and purples, the mood is strange, and the overall ambiance of the story markedly absent. Appealing to what could only be a high-interest/low–reading level audience, McDonald falls short of the mark. He explains a scene in an open-air tavern with a footnote—“a place where people gather to drink”—but he declines to offer definitions for more difficult words, such as “dirges.” While the adaptation does follow the foundation of the play, the contemporary language offers nothing; cringeworthy lines include Benvolio saying to Romeo at the party where he first meets Juliet, “Let’s go. It’s best to leave now, while the party’s in full swing.” Nagar’s faces swirl between dishwater and grotesque, adding another layer of lost passion in a story that should boil with romantic intensity. Each page number is enclosed in a little red heart; while the object of this little nuance is obvious, it’s also unpleasantly saccharine. Notes after the story include such edifying tidbits about Taylor Swift and “ ‘Wow’ dialogs from the play” (which culls out the famous quotes).Pub Date: May 10, 2011
ISBN: 978-93-80028-58-3
Page Count: 80
Publisher: Campfire
Review Posted Online: April 5, 2011
Kirkus Reviews Issue: April 15, 2011
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