The legends of Theseus and Icarus are here braided together in a historical novel imagined from the Cretan perspective. The 14-year-old Princess Xenodice keeps herself out of much of the intrigue of the court of Knossos; in this place of seething emotions and barely suppressed resentments she is more than content to be an observer. A loving, if sometimes exasperated sister, she does the bidding of her imperious older sister Ariadne—heir apparent to the throne—but manages to find time for her two pleasures: visiting with the handsome craftsman Icarus in his father’s workshop, and with Asterius, her part-boy, part-bull younger half-brother, in the Bull Pen at the center of the Labyrinth. But then the latest shipment of Athenian slaves arrives. The hairily uncouth Theseus and his vow to kill Asterius precipitate a chain of events that leaves Xenodice herself utterly alone. Kindl (Goose Chase, 2001, etc.) does a good job at imagining the setting, creating out of the wisps of legend and archaeology a fully realized matriarchy (an author’s note explains that this is her own hypothetical leap), a cultural and economic powerhouse that holds itself as vastly superior to the upstart Athens. Xenodice’s narrative, however, is overly formal, resulting in a frequently ponderous tone: “My head drooped; I stared at my feet. Never before had I desired another’s death. But now I was frightened. I did not know the precise nature of the danger, but my forebodings centered around the young Athenian.” Only very rarely is this tone leavened by the wry and clever wit that has marked the author’s previous novels, and although the story is certainly compelling, Xenodice is always somehow at arm’s length from the reader. Worth purchasing for the originality of the perspective and careful realization of the setting, it would do well paired with a new copy of Renault’s The King Must Die (cited as suggested further reading). (Fiction. 12+)
Pub Date: Aug. 26, 2002
ISBN: 0-618-16684-X
Page Count: 200
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2002
A lackluster and sometimes disturbing mishmash of overused tropes.
The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.
Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.
A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)Pub Date: Nov. 7, 2023
ISBN: 9798987380406
Page Count: 538
Publisher: Simon & Schuster
Review Posted Online: Sept. 9, 2023
Kirkus Reviews Issue: Oct. 1, 2023
Wrought with admirable skill—the emptiness and menace underlying this Utopia emerge step by inexorable step: a richly...
In a radical departure from her realistic fiction and comic chronicles of Anastasia, Lowry creates a chilling, tightly controlled future society where all controversy, pain, and choice have been expunged, each childhood year has its privileges and responsibilities, and family members are selected for compatibility.
As Jonas approaches the "Ceremony of Twelve," he wonders what his adult "Assignment" will be. Father, a "Nurturer," cares for "newchildren"; Mother works in the "Department of Justice"; but Jonas's admitted talents suggest no particular calling. In the event, he is named "Receiver," to replace an Elder with a unique function: holding the community's memories—painful, troubling, or prone to lead (like love) to disorder; the Elder ("The Giver") now begins to transfer these memories to Jonas. The process is deeply disturbing; for the first time, Jonas learns about ordinary things like color, the sun, snow, and mountains, as well as love, war, and death: the ceremony known as "release" is revealed to be murder. Horrified, Jonas plots escape to "Elsewhere," a step he believes will return the memories to all the people, but his timing is upset by a decision to release a newchild he has come to love. Ill-equipped, Jonas sets out with the baby on a desperate journey whose enigmatic conclusion resonates with allegory: Jonas may be a Christ figure, but the contrasts here with Christian symbols are also intriguing.
Wrought with admirable skill—the emptiness and menace underlying this Utopia emerge step by inexorable step: a richly provocative novel. (Fiction. 12-16)Pub Date: April 1, 1993
ISBN: 978-0-395-64566-6
Page Count: 208
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1993
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