A dreamy fable confronting love, death, and our inevitable inadequacy yet persistence in the face of both.
A snow-swept journey to the ends of the Earth continues Cameron's exploration of defamiliarized landscapes and the intricacies of human relationships.
A husband and wife arrive by train into the endless winter night of a mysterious Arctic region. The woman is dying of cancer; as her body erodes, her connection to—and patience for—her husband vanishes with it, but after suffering a succession of pregnancy losses throughout their marriage, she is determined to provide him with a family, a child, before she dies. They have come to the town of Borgarfjaroasysla (like Cameron's Andorra before it, a name that recalls a real place but which is released from the confines of reality through a reimagined geography and, in this case, a slightly different name) to claim a foundling at the local orphanage, the only place on Earth, given their age and the woman's failing health, that would agree to an adoption. They settle into the vast Borgarfjaroasysla Grand Imperial Hotel, bedecked in the antiquated opulence of a bygone era and, like the town around it, sparsely occupied but filled with eerie tensions. On their first night there, the man ventures down to the hotel bar, a dark, low-ceilinged burrow emanating a red glow through a glass-beaded curtain. Here, over snifters of the regional specialty, a curious liqueur made of lichen "tinged with the silvery blue glow that snow reflects at twilight," he meets a striking, eccentric old woman named Livia Pinheiro-Rima, who quickly assumes a role in the couple's life that's half meddlesome spirit, half fairy godmother. The next morning, rather than delivering them to the orphanage to meet their son, their taxi deposits them at the home of Brother Emmanuel, a renowned healer and the only draw for travelers to the town besides the orphanage, whom Livia has decided the woman needs more than she needs a baby. Having ferried his wife to this enchanted hinterland on the threshold of eternity, where life, nature, and time flow to a dilated rhythm and she embraces the metamorphosis that awaits her, the man emerges, ambivalently, at times reluctantly, into a transformation of his own.
A dreamy fable confronting love, death, and our inevitable inadequacy yet persistence in the face of both.Pub Date: Aug. 4, 2020
ISBN: 978-1-948226-96-7
Page Count: 320
Publisher: Catapult
Review Posted Online: June 2, 2020
Kirkus Reviews Issue: June 15, 2020
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
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