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POETRY MATTERS

WRITING A POEM FROM THE INSIDE OUT

In this pep talk for aspiring poets, Fletcher (Have You Been to the Beach Lately, 2001, etc.) speaks directly to his readers in a chatty, non-threatening manner, as if he were a guest lecturer in their classrooms or homes and he reminds his audience that poetry must be an honest expression of the heart and soul. In the first of two parts, he focuses on what he calls “the guts” of poetry: “emotion, image, and music.” He explains the key role that each of these elements plays in the creative process and he also tackles the tricky problem of selecting a subject. The second part involves the nuts and bolts of crafting a poem. Throughout, he cites extensively from his own work, as well as those by other published writers and students. Also included are several interviews with poets who are asked about their inspirations, methods of writing, and advice to young poets. There is a lot of information to digest and understand, and it is not always presented clearly; ideas are thrown at the reader in rapid succession with hardly a breath in between. Each idea is ostensibly illustrated by a poem, but in too many cases neither the idea nor the poem is adequately explained before the next one comes along. Fletcher is obviously passionate about his subject. However, he might do well to follow the warning he gives to young poets: “beware of going on and on and draining the energy.” Someone already intrigued with the idea of writing poetry might find just the right hints and tools here to spark that first successful poem. Anyone else will be overwhelmed and confused. (Nonfiction. 10-12)

Pub Date: March 1, 2002

ISBN: 0-380-79703-8

Page Count: 128

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 2002

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A BIRD OR TWO

A STORY ABOUT HENRI MATISSE

Less a story than an analysis of Matisse’s art, particularly after his move to Nice, this companion to A Blue Butterfly (1995), on Monet, also combines visual recasting of selected works with poetic commentary: “To his color palette he added the bluest sapphire blue he could imagine. And with it he painted the Mediterranean Sea.” Using a free style of brushwork that evokes Matisse’s own joy and energy, Le Tord alternates her versions of his art with scenes of the man himself, always nattily dressed, always industriously making art. This perceptive personal tribute will enhance readers’ appreciation for Matisse’s work; they won’t mind going elsewhere for biographical details, and reproductions of his actual paintings, sculpture, and collages. (Picture book. 8-11)

Pub Date: Oct. 1, 1999

ISBN: 0-8028-5184-3

Page Count: 32

Publisher: Eerdmans

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 1999

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HERE COMES MOTHER GOOSE

This oversized companion to the much ballyhooed My Very First Mother Goose (1996) will take toddlers and ex-toddlers deeper into the playscapes of the language, to meet Old King Cole, Old Mother Hubbard, and Dusty Bill From Vinegar Hill; to caper about the mulberry bush, polka with My Aunt Jane, and dance by the light of the moon. Mixing occasional humans into her furred and feathered cast, Wells creates a series of visual scenarios featuring anywhere from one big figure, often dirty or mussed, to every single cat on the road to St. Ives (over a thousand). Opie cuts longer rhymes down to two or three verses, and essays a sly bit of social commentary by switching the answers to what little girls and boys are made of. Though Wells drops the ball with this last, legitimizing the boys’ presence in a kitchen by dressing them as chefs, in general the book is plainly the work of a match made in heaven, and merits as much popularity as its predecessor. (Folklore. 1-6)

Pub Date: Oct. 1, 1999

ISBN: 0-7636-0683-9

Page Count: 107

Publisher: Candlewick

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 1999

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