A serious story, luminously told.
A twin brother and sister work to overcome their family's superstition as well as their own personal demons.
Marta and Nick were brought up by their mother with a warning about a tendency for people in their family to be gravely injured or killed by falls. It all began when a great-great-grandfather pushed a stonemason out a window in Prague, an act known as defenestration, which forced him to flee to the American Midwest and seems to have led to an uncanny string of falls in the family. Their father’s love provided levity for the twins and balanced out their strictly religious mother’s dogma, but after Nick graduates from college and tells his parents he's gay, his mother kicks him out, and the family is irrevocably changed. Told through brief vignettes from Marta's first-person perspective, the story recounts how the twins went to live in Prague and attempted to make sense of their upbringing and obsession with falling. In the current timeline, Marta visits Nick in the hospital after his own fall and remeets her mother after years of estrangement. Branum makes excellent use of the fragmented structure of her debut novel, offering meditations on Prague’s rich history and architecture; Buster Keaton and his theatrical falls, as well as other historical people who famously survived falls; the difficulties of close relationships that define you but also bind you; and the complicated legacies of family stories that defy clarity or comfort. Even as Marta’s own well-being depends on her finding an ability to heal separately from Nick, she muses on this unknowability: “I know then, with a shiver of certainty, that sometimes a story can have a meaning for the teller that no one else, no matter how many times they hear it, can unearth.”
A serious story, luminously told.Pub Date: Jan. 25, 2022
ISBN: 978-1-63557-739-6
Page Count: 256
Publisher: Bloomsbury
Review Posted Online: Nov. 16, 2021
Kirkus Reviews Issue: Dec. 1, 2021
PERSPECTIVES
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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