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THE BEASTS OF ELECTRA DRIVE

Unhurried but engrossing novel in which characters are more enticing than otherworldly technology.

In Quine’s sci-fi tale, a game designer, aided by the physical manifestations of his game characters, fights back against a company trying to sabotage his work.

Jaymi Peek’s programming skills land him a gig at a games development company—Bang Dead Games. But his high-position LA job is soon less than ideal. He realizes that Bang Dead favors profit over originality, often sparking trite concepts. He calls the ones responsible for this nose dive “the Dreary Ones.” Jaymi leaves to design his own games, but when a drone invades his property on Electra Drive, he assumes it’s a personal attack by the Dreary Ones. Conceptualizing and coding a character, or Beast, from one of his games-in-progress, Jaymi gives life to Amber, a male (in appearance) who literally crawls out of a computer monitor into “meat-space.” As Jaymi develops additional Beasts, including Evelyn and Shigem, the Dreary Ones continue their affronts, attempting to infect code or damage the Beasts’ code. Consequently, Jaymi sends Beast incarnations after the Dreary Ones (one attack involves a cockroach). Soon the physical confrontations move into the digital realm. Jaymi targets in particular Bang Dead’s tawdry game Ain’tTheyFreaky!, an open platform in which the public votes on certain people’s attractiveness or lack thereof. Hoping to counter the ugliness this game inflicts upon the world, Jaymi relentlessly battles the Dreary Ones, a war that ultimately intensifies when at least one individual winds up dead. Quine’s novel centers more on an interesting cast than fascinating sci-fi traits. Some characters are computer code in bodily form but still have depth. For example, Jaymi created Kim, in part, to be Shigem’s lover. (A nice touch: both Beasts are male.) There’s likewise a rather sublime religious theme. Though one Beast kneels in prayer in front of “his creator,” Jaymi, there’s an understated notion of free will. Jaymi assigns missions to Beasts (e.g., wreak havoc on Bang Dead) but often leaves them “to [their] own devices.” The author’s lyrical prose is profound and sometimes surreal, especially in character descriptions. “Inside Kim,” Quine writes, “there is a lonely savage from the caves, bent on pure first-degree survival, blown by chance and the primal drives of instinct and emotion, alone and uncertain on a dart from birth to death.” The plot, however, can grow repetitive. Every new Beast design leads to Bang Dead’s attempt to hack the code, and large sections of narrative repeat. This book is a prequel to the author’s earlier works whose titles are the same as Jaymi’s prospective games, and the ending neatly sets up the succeeding installment.

Unhurried but engrossing novel in which characters are more enticing than otherworldly technology.

Pub Date: April 11, 2018

ISBN: 978-0-9927549-4-5

Page Count: 326

Publisher: EC1 Digital

Review Posted Online: Feb. 23, 2018

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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