A chilly, desolate work, as painful to read as diving into a frigid lake.
A Georgia O’Keeffe biographer, storywriter, and third-novelist (This is My Daughter, 1998, etc.) pursues in lusterless fashion a conflicted widow who marries the wrong brother.
Water is the dominant metaphor in this emotionally bloodless work: late-40s protagonist Isabel Green is an expert in effluent contamination at NYC’s Environmental Protection Resources, and her brand-new self-important second husband, Paul Simmons, has brought her for the first time to visit his family’s lakefront summer home, Sweetwater, in the Adirondacks. Isabel is still recovering from the depression-induced suicide of her first husband and has married Paul out of sympathetic pity and hope for comfort in old age—a decision soon revealed as cruel and shortsighted. Paul and his aged, unloving parents are severely stiffened WASPs with crosses to bear: Paul’s own lifetime grudge concerns a jealous rivalry with his younger brother, Whitney, a never-married Wyoming conservation-biologist whom Paul suspects of stealing his girlfriends. In fact, Whit does attract Isabel, with his stories of observing and protecting western lions, and her staggering betrayal coincides with the approach of a forest fire as the Simmons family tongue-barb each other mercilessly about their shortcomings. The story is a strange amalgamation: a treatise on environmental stewardship; an elegiac memoir about the desertion experienced after the suicide of a spouse; and an awkward growing-to-maturity feminine manifesto. Although Isabel is reading Proust (mentioned offhandedly), her utter lack of self-knowledge is preposterous after Robinson’s meticulous chronicling of her early courtship with and marriage to Michael; motherhood and later attempts to conceive a second child; career development and fear and denial of Michael’s growing depression—as preposterous as Isabel’s marriage to a man merely to be nice. Robinson takes no risks as a writer (“Isabel’s imagination was water, and the more she learned about it, the more marvelous it seemed”), and as a result her writing seems as constipated as her characters.
A chilly, desolate work, as painful to read as diving into a frigid lake.Pub Date: May 20, 2003
ISBN: 0-375-50916-X
Page Count: 320
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2003
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...
Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).
All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."Pub Date: April 8, 1974
ISBN: 0385086954
Page Count: 216
Publisher: Doubleday
Review Posted Online: Sept. 26, 2011
Kirkus Reviews Issue: April 1, 1974
PERSPECTIVES
SEEN & HEARD
BOOK TO SCREEN
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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