Often alarming and upsetting, but worth reading for the deep heart at its center.
British writer Dineen’s dystopian story about a woman struggling to keep her children safe in a world on the brink of collapse feels uncomfortably as if it’s describing not a fictional future but next week.
Cass lives in “The City,” never named and located in the south of a country also unnamed but with a British feel. It’s facing extreme versions of conditions familiar today: an increasingly hot climate, frequent fires, collapsing infrastructure, corrupt authoritarian government, extremist gangs, and fraying social norms. Choosing to work abroad, Cass’ husband, Nathaniel, a doctor, has left her behind in The City, where she attempts to protect their children from deteriorating conditions. Many of the strong mothers in recent fiction pale in comparison to Cass, with her fierce maternal commitment—not only to her own baby but also to the 4- and 8-year-olds whose mothers died during Nathaniel’s previous two marriages. She experiences typical moments of contemporary motherhood, from easing a resistant child to sleep to resenting a husband’s lack of involvement to sexual fantasizing, but Cass also deals with the breakdown of electricity and communication technology, has a room devoted to bottled water storage, worries that the kids have become used to breathing burned air, and regularly rehearses “terror runs” in her head to prepare for the potential moment when she must escape with the kids. Then a group of male climate activists—Nathaniel thinks they’re incels—attacks a playground. Cass first heads to her mother-in-law’s secluded rural home, where there’s food and breathable air, but staying with the untrustworthy Eden proves untenable. Cass’ next stop is a commune of sorts in the supposedly safe, walled-off north. But safety is never certain; Cass’ choices, never easy to make. The new world order described by Dineen’s graceful prose is sometimes unbearably depressing, yet this is not an apocalypse. Happiness remains a possibility for Cass and her kids.
Often alarming and upsetting, but worth reading for the deep heart at its center.Pub Date: July 2, 2024
ISBN: 9781419767951
Page Count: 336
Publisher: Overlook
Review Posted Online: May 4, 2024
Kirkus Reviews Issue: June 1, 2024
Though not perfect, a clear leap forward for Rooney; her grandmaster status remains intact.
Two brothers—one a lawyer, one a chess prodigy—work through the death of their father, their complicated romantic lives, and their even more tangled relationship with each other.
Ten years separate the Koubek brothers. In his early 30s, Peter has turned his past as a university debating champ into a career as a progressive lawyer in Dublin. Ivan is just out of college, struggling to make ends meet through freelance data analysis and reckoning with his recent free fall in the world chess rankings. When their father dies of cancer, the cracks in the brothers’ relationship widen. “Complete oddball” Ivan falls in love with an older woman, an arts center employee, which freaks Peter out. Peter juggles two women at once: free-spirited college student Naomi and his ex-girlfriend Sylvia, whose life has changed drastically since a car accident left her in chronic pain. Emotional chaos abounds. Rooney has struck a satisfying blend of the things she’s best at—sensitively rendered characters, intimacies, consideration of social and philosophical issues—with newer moves. Having the book’s protagonists navigating a familial rather than romantic relationship seems a natural next step for Rooney, with her astutely empathic perception, and the sections from Peter’s point of view show Rooney pushing her style into new territory with clipped, fragmented, almost impressionistic sentences. (Peter on Sylvia: “Must wonder what he’s really here for: repentance, maybe. Bless me for I have. Not like that, he wants to tell her. Why then. Terror of solitude.”) The risk: Peter comes across as a slightly blurry character, even to himself—he’s no match for the indelible Ivan—so readers may find these sections less propulsive at best or over-stylized at worst. Overall, though, the pages still fly; the characters remain reach-out-and-touch-them real.
Though not perfect, a clear leap forward for Rooney; her grandmaster status remains intact.Pub Date: Sept. 24, 2024
ISBN: 9780374602635
Page Count: 464
Publisher: Farrar, Straus and Giroux
Review Posted Online: July 4, 2024
Kirkus Reviews Issue: Aug. 1, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
"Don't go into the woods" takes on unsettling new meaning in Moore's blend of domestic drama and crime novel.
Many years after her older brother, Bear, went missing, Barbara Van Laar vanishes from the same sleepaway camp he did, leading to dark, bitter truths about her wealthy family.
One morning in 1975 at Camp Emerson—an Adirondacks summer camp owned by her family—it's discovered that 13-year-old Barbara isn't in her bed. A problem case whose unhappily married parents disdain her goth appearance and "stormy" temperament, Barbara is secretly known by one bunkmate to have slipped out every night after bedtime. But no one has a clue where's she permanently disappeared to, firing speculation that she was taken by a local serial killer known as Slitter. As Jacob Sluiter, he was convicted of 11 murders in the 1960s and recently broke out of prison. He's the one, people say, who should have been prosecuted for Bear's abduction, not a gardener who was framed. Leave it to the young and unproven assistant investigator, Judy Luptack, to press forward in uncovering the truth, unswayed by her bullying father and male colleagues who question whether women are "cut out for this work." An unsavory group portrait of the Van Laars emerges in which the children's father cruelly abuses their submissive mother, who is so traumatized by the loss of Bear—and the possible role she played in it—that she has no love left for her daughter. Picking up on the themes of families in search of themselves she explored in Long Bright River (2020), Moore draws sympathy to characters who have been subjected to spousal, parental, psychological, and physical abuse. As rich in background detail and secondary mysteries as it is, this ever-expansive, intricate, emotionally engaging novel never seems overplotted. Every piece falls skillfully into place and every character, major and minor, leaves an imprint.
"Don't go into the woods" takes on unsettling new meaning in Moore's blend of domestic drama and crime novel.Pub Date: July 2, 2024
ISBN: 9780593418918
Page Count: 496
Publisher: Riverhead
Review Posted Online: April 13, 2024
Kirkus Reviews Issue: May 15, 2024
PERSPECTIVES
SEEN & HEARD
SEEN & HEARD
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