A satisfying, sexy, and fast-paced alien romance.
A human woman is kidnapped by an alien who believes she's his mate.
Liz has had a pretty bad week—she was stolen from her Oklahoma farm by little green aliens and transported millions of miles from Earth. After something goes wrong on the ship, the green aliens abandon Liz and the rest of the human women on a cold ice planet with two distant suns. The planet’s local inhabitants, the sa-khui, are a small tribe of large blue aliens that have developed a symbiotic relationship with the khui, a glowing space worm that helps their bodies withstand the bitter climate. The tribe has suffered devastating population losses from hunting accidents and sickness, leaving them fewer than 30 members, only 4 of whom are women. Raahosh is a hunter who resigned himself to a life of loneliness, but when his khui resonates for Liz, he knows she is his mate. Rather than chance being separated from her, he spirits her away to his hidden cave, hoping to prove himself worthy of her. Liz is furious at being kidnapped again and is determined to make as many choices as she can for herself. She demands to hunt with Raahosh, making her own bow and arrows to prove her worth. Raahosh and Liz have explosive chemistry and learn to respect each other’s strengths. Liz is an especially appealing character: feisty, brave, and stubborn. She’s the perfect match for the taciturn Raahosh, who wants to be loved for who he is and valued as an equal partner. In the background of their romance, Dixon shows how the sa-khui and humans are beginning the hard work of building a new culture together.
A satisfying, sexy, and fast-paced alien romance.Pub Date: Jan. 25, 2022
ISBN: 978-0-593-54603-1
Page Count: 336
Publisher: Berkley
Review Posted Online: Nov. 29, 2021
Kirkus Reviews Issue: Dec. 15, 2021
A disarmingly heartfelt space adventure that dares to suggest genocide might be a bad business.
When a bunch of corporate assholes mark their planet for destruction, a garage band of colonists must defend their home world with the power of rock.
Slightly sidestepping his frenetic litRPG—literary role-playing game—doorstoppers, here Dinniman takes on capitalism, propaganda, xenophobia, and violence as entertainment. Thankfully for readers, it’s all wrapped in the usual profane, adolescent humor, and SF readers will have a ball. A couple of hundred years after they left Earth, the inhabitants of the interstellar colony of New Sonora weren’t expecting much in the way of new threats, especially after a mysterious illness killed almost everyone between the ages of 30 and 60. That disaster left only the young and the old on the populated planet, where farming is enabled by highly accelerated AI and people are generally cool with each other. But when drummer Oliver Lewis stumbles across a foul-mouthed killer mech piloted by a child, he realizes that something’s definitely fishy. Earth, it seems, has classified the New Sonorans as non-human and scheduled their destruction as a paid, five-day combat game. Apex Industries, led by lead mercenary Eli Opel, has reverse-engineered Ender’s Game and is turning loose its players with real bullets and bombs on the population of New Sonora. The resistance is a weird bunch, led by proto-slacker Oliver; his little sister, Lulu; and his ex-girlfriend, documentary filmmaker and burgeoning revolutionary Rosita Zapatero, as well as the other members of Oliver’s band, the Rhythm Mafia. Thankfully, they also have Roger, the last functioning AI on the planet, though Oliver’s grandfather permanently programmed it to nannybot mode as a dying joke. Call the book overlong—the battle scenes often feel like watching someone play a videogame—but the humor and the execution are cutting without being mean and there’s almost always a point.
A disarmingly heartfelt space adventure that dares to suggest genocide might be a bad business.Pub Date: Feb. 10, 2026
ISBN: 9780593820308
Page Count: 448
Publisher: Ace/Berkley
Review Posted Online: Dec. 12, 2025
Kirkus Reviews Issue: Jan. 15, 2026
An adventurous departure for a well-loved romance author.
Moby Dick, but make it queer SF.
“Call me…call me whatever the fuck you like.” This is the first line of Hall’s latest, and you don’t have to have a master’s degree in American Lit to get the reference. Melville’s magnum opus is one of those cultural artifacts that’s embedded itself in the popular consciousness even if only in its most basic form. Hall, however, isn’t messing around in their reimagining of Moby Dick. In this rather long novel, the author is doggedly faithful to the original text—or as faithful as they can be given that this story is narrated by a queer woman, set in the distant future, and takes place in outer space. Like Melville’s Ishmael, Hall’s protagonist signs on with a ship called the Pequod seeking escape from a conservative background. Unlike Melville’s Ishmael, Hall’s protagonist has sexual relationships that are textual rather than subtextual and also pretty hot. The worldbuilding is strong and—as is the case in the most resonant science fiction—disturbingly plausible. This story is set in a time long after Earth has been stripped of its resources. Humans have scattered throughout the solar system and reorganized into Extraction States and Pharma States. The Aphrodite Pharma State owns every part of the narrator’s body that’s been restored or replaced. The Olympus Extraction State owns the Pequod and claims most of its crew’s profits as they brave the storms of Jupiter in search of the massive creatures hunted for the cerebrospinal fluid that fuels human existence. Hall’s breakout book was Boyfriend Material (2020) and, since then, the author has published a number of wildly popular novels that range from contemporary romcom to romantasy. Readers who loved Mortal Follies (2023) or A Lady for a Duke (2022) may not find what they want from Hall here. That said, readers who appreciate a good old-fashioned space yarn will find a lot to like.
An adventurous departure for a well-loved romance author.Pub Date: March 10, 2026
ISBN: 9781250394958
Page Count: 464
Publisher: Tor
Review Posted Online: Dec. 10, 2025
Kirkus Reviews Issue: Jan. 15, 2026
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
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