A sympathetic but uneven oddity.
It takes a village…to care for an abandoned mouse with breathing issues, and to lure an elderly woman out of isolation.
After six decades spent in Australia, 83-year-old Helen Cartwright, a widowed doctor, has returned to England, to the town of her childhood. “Life for her was finished,” the days now a routine of cups of tea, slices of toast, hot baths, and daytime TV, interspersed with memories of her dead husband and son. “Each day was an impersonation of the one before with only a slight shuffle—as though even for death there is a queue.” Things shift, however, when she chooses to rescue a discarded aquarium from her neighbor’s trash. Hidden inside is a mouse, which she first tries to trap and then decides she will take to an animal shelter. Her feelings of responsibility and care for the rodent swell, and providing food and protection from a cat is just the beginning. Soon the mouse, named Sipsworth for its drinking style, is living in her sink and watching television with her from the safety of a slipper. Its needs force Helen to interact more with the outside world—visiting the library for mouse-care books, the hardware store for a new aquarium, and then the hospital for medical advice when Sipsworth suddenly falls ill. Now the novel switches from enigmatic curiosity to something more parable-esque, as Dr. Jamal from the hospital, Cecil from the hardware store, the town librarian, and others offer time, advice, and practical support to a woman who suddenly reveals a wholly unexpected hinterland. The book’s closing phase comes in a rush, as what began as the intriguing, sometimes philosophical story of an insular woman with “doors she keeps locked” dashes toward predictability and fairy tale.
A sympathetic but uneven oddity.Pub Date: May 7, 2024
ISBN: 9781567927948
Page Count: 240
Publisher: Godine
Review Posted Online: Feb. 17, 2024
Kirkus Reviews Issue: March 15, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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