And steamy kisses and tingly touches? There are still plenty of those, too.
Perkins avoids the second-novel curse with a delectable companion to her debut hit, Anna and the French Kiss (2010).
Seventeen-year-old budding costume designer Lola Nolan (who vows never to wear the same outfit twice) has finally recovered from two years of heartbreak at the hands of amateur inventor Cricket Graham Bell (Yes, “[t]he Bell family is THAT Bell family. As in telephone”), her first love and neighbor who moved away suddenly without a good-bye. Although her two gay dads are always looking for “[e]vidence of debauchery,” she’s found contentment with her 22-year-old sexy musician boyfriend, Max. She’s in for a jolt again, though, when Cricket and his family return to their San Francisco neighborhood so his twin sister, an Olympic skating hopeful, can train with a new coach. Fans of the first novel will be happy to know that Anna and her boyfriend have not only remained together but play a role in helping Lola confront her renewed feelings for the boy next door. Along with the possibility of romance, Lola also reconciles her lineage to a homeless, drug-addict mother, while Cricket deals with the revelation that his notorious ancestor stole his famous idea. Just as Perkins did with Paris, she embeds a tour of San Francisco culture throughout the snappy storyline.
And steamy kisses and tingly touches? There are still plenty of those, too. (Chick lit. 14 & up)Pub Date: Sept. 29, 2011
ISBN: 978-0-525-42328-7
Page Count: 384
Publisher: Dutton
Review Posted Online: Aug. 2, 2011
Kirkus Reviews Issue: Aug. 15, 2011
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.
The finely drawn characters capture readers’ attention in this debut.
Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head. (Fiction. 14 & up)Pub Date: April 1, 2013
ISBN: 978-1-4022-7782-5
Page Count: 336
Publisher: Sourcebooks Fire
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: March 1, 2013
BOOK REVIEW
SEEN & HEARD
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
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