Free of sentiment but not without hope of redemption, this is a suspenseful and chilling story.
A Jewish girl comes of age in Vichy France, relentlessly deformed by the spiritual rot of her era.
"My name is Marie-Jeanne Chantier, and I am twelve years old. My parents named me for the Blessed Virgin, and also for Saint Jeanne d’Arc, the young girl who had short hair and saved France from hostile foreign invaders a long time ago....Maman and Papa died last year in a tragic car accident outside Paris, bringing toys to poor orphans at the convent. Now I live here in the country in La Perrine, with tante Berthe, tonton Claude, and cousin Luc, who were very kind to take me in with good Christian charity and give me such a wonderful home." So says a "stupid assignment" written for school by a clever Parisian preteen actually named Danielle Marton. In fact, Danielle's Jewish mother has smuggled her to the countryside to masquerade as the niece of former family servants while she herself faces the jaws of the wolf—which have already snapped shut on her husband, Danielle's beloved Papa. Though in many obvious ways this third novel is a departure from Ison's previous work, including Ball (2015), a collection of contemporary gothic horror stories, on closer examination this is a horror story: The newly minted Marie-Jeanne seems to cathect the evil around her until she has completely forgotten who she is, what she cares about, whom she loves. Ison is unflinching in her depiction of the self-inflicted corruption that replaces the character's moral core with a twisted version of Christianity, brilliantly illustrating the epigraph from Solzhenitsyn: "To do evil, a human being must first of all believe that what he’s doing is good.” Most abhorrent are the trajectories of Marie-Jeanne's friendship with her peers—Genevieve, another Jewish girl in hiding, and her "cousin" Luc, who undergoes a transformation diametrically opposed to hers.
Free of sentiment but not without hope of redemption, this is a suspenseful and chilling story.Pub Date: Feb. 21, 2023
ISBN: 9781632461452
Page Count: 298
Publisher: Ig Publishing
Review Posted Online: Jan. 11, 2023
Kirkus Reviews Issue: Feb. 1, 2023
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
Though uneven, this is still a pleasurable, comforting read.
Infertility, family secrets, and alpacas all figure in Quindlen’s latest meditation on mothering and domesticity.
Polly’s life looks enviable. Happily married to the adoring Mark—a vet at the Bronx Zoo—she teaches English at a private Manhattan girls’ school and loves her work. She has a protective older brother and close girlfriends, who’ve formed a book club where no one is expected to read the book. But Polly desperately wants a child and, at 42, knows time is running out. She and Mark have gone through endless fertility treatments, to no avail. Meantime, Polly’s friends have given her a DNA kit as a jokey birthday gift, and something mysterious shows up in the test results. Then, out of nowhere, a young woman contacts her, suggesting they may be related. That’s not all: Polly feels estranged from her mother, a revered judge who’s insufficiently maternal in her daughter’s view. Her father has always cherished her, but he’s in a nursing home now with a rapidly failing mind. And something is amiss with her best pal, Sarah. Quindlen’s trademark empathy is evident throughout, and her wry humor leavens some of the serious goings-on. Early on, Mark and Polly visit a fertility clinic with photos of babies in the waiting room; for Polly, “it felt…like a Weight Watchers facility with hot fudge sundae pictures on the wall.” Then we meet these charming alpacas, humming and pronking, on a farm run by an earth mother, whose wisdom will help Polly get on with her life. The plot swerves around a bit, there may be one surplus narrative thread (e.g., Polly’s star student Josephine running aground after graduation), and at the end, the author ties things up too neatly, pushing the “circle of life” theme too hard.
Though uneven, this is still a pleasurable, comforting read.Pub Date: Feb. 24, 2026
ISBN: 9780593734605
Page Count: 256
Publisher: Random House
Review Posted Online: Nov. 22, 2025
Kirkus Reviews Issue: Jan. 1, 2026
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