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THE CONFIDENCE GAMES

Amy can’t make this caper remotely plausible, but she keeps it tense, inventive, and fizzy. More, please.

Amy’s debut follows a pair of female tricksters forced to steal something they don’t want for someone who’s given them nothing but grief.

Five years ago, actuary Emma Oxley’s old school friend Nellie Yarrow rescued her after she discovered her worthless fiance/boss in bed with his secretary and lost her home, job, and love in one fell swoop. Now it’s Nellie who needs Emma’s help. Just as the duo are launching their latest con (the rules of this “Bonnie and Clyde without the guns and murder”: swindle only men who can afford and deserve it), Nellie is kidnapped by someone who uses a 10-year-old to deliver a note that takes Emma by a decidedly roundabout route to a rendezvous. There, she’s informed that Nellie—who vanished from their ritzy hotel room—will be released only after Emma steals the Heart of Envy, a diamond and emerald bracelet the dark web is buzzing about, from an upcoming Tiffany exhibition at the St. Jude gallery and turns it over to the kidnapper, who calls himself James Reid, and his boss, the shadowy Mr. L. Emma’s first reaction is panic, because after all, she’s a con artist, not a thief. But working first with Dax Frederick, her tech sidekick and assistant, and then, improbably, with Nellie herself, she hatches a scheme that depends on impersonation, split-second timing, a fake Heart of Envy, and an unbroken skein of luck. Complications ensue.

Amy can’t make this caper remotely plausible, but she keeps it tense, inventive, and fizzy. More, please.

Pub Date: July 9, 2024

ISBN: 9780593642504

Page Count: 288

Publisher: Berkley

Review Posted Online: May 4, 2024

Kirkus Reviews Issue: June 1, 2024

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IDENTITY UNKNOWN

Expert, but unsurprising.

The death of an old friend who was more than a friend sends Dr. Kay Scarpetta down her latest rabbit hole.

If every body tells a story, the corpse of 7-year-old Luna Briley sings the blues. On top of the many signs of ongoing physical abuse, there’s the fatal gunshot wound to her head. Ryder and Piper Briley, the wealthy and powerful parents who didn’t call the police until after their daughter died, insist that Luna’s death was an accident, or maybe a suicide. Scarpetta doesn’t think so, and her refusal to release the body to the Brileys’ hand-picked mortician moves them to legal action against her as Virginia’s chief medical examiner. You’d think it would be a relief to put this case aside for another when Scarpetta’s niece, Secret Service agent Lucy Farinelli, calls her and ferries her by helicopter to an abandoned Oz theme park owned by Ryder Briley, but this one’s even more heartbreaking. Scarpetta is there to examine the body of astrophysicist Sal Giordano, her close friend and former lover, who was evidently kidnapped, held in captivity for several hours, and tossed out of an unidentified aircraft. The leading suspects are the Brileys; Carrie Grethen, Lucy’s sociopathic ex-lover, with whom Scarpetta has repeatedly tangled in the past; and the UFO that dumped Giordano’s body without leaving the usual traces for air-traffic technologies to pick up. The multiple rounds of physical examinations Scarpetta conducts on both victims are every bit as meticulous and gripping as fans would expect; the killer’s identity is neither surprising nor interesting, but Cornwell juggles her trademark forensics, and the paranormal hints she’s become increasingly invested in, more dexterously than usual.

Expert, but unsurprising.

Pub Date: Oct. 8, 2024

ISBN: 9781538770382

Page Count: 400

Publisher: Grand Central Publishing

Review Posted Online: Aug. 29, 2024

Kirkus Reviews Issue: Oct. 1, 2024

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THEN SHE WAS GONE

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 5, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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