A memorable—and often chilling—account of tangled webs, addled minds, and the evil that men do.
A fly-on-the-wall study of the infamous South Carolina attorney and murderer.
Alex Murdaugh—which he pronounced “Ellick Murdick,” in the local Scots-influenced dialect—was a bundle of complexities, writes Wall Street Journal reporter Bauerlein, who also worked for The State newspaper in Columbia, South Carolina. “He was fundamentally unreadable,” she writes, “a walking mirage, always performing one role or another: devoted husband and father, connected friend, grantor of favors, defender of the downtrodden.” He was also an addict who stole millions from his clients, funneling the money into drugs and alcohol as well as misguided investments. Murdaugh was an equal-opportunity grifter, and so powerful in the Lowcountry where he lived that everyone looked the other way until the fateful night on which he shot his wife and son to death. So it had been for generations of Murdaugh power in Hampton County, where, one lawyer quipped, “A jury trial is the mechanism for the redistribution of wealth.” In his own jury trial, as Bauerlein reports after giving a blow-by-blow account of the grisly murders, Murdaugh sighed, “Oh, what a tangled web we weave.” And weave he continues to do: Sentenced to two life terms, Murdaugh has established a new fiefdom behind bars: “He had left behind the ruins of one empire. Now he was building another.” The cautionary lesson for readers is not that crime doesn’t pay—in Murdaugh’s case it did, and richly—but that eventually, even those who have gotten away with it for years receive their comeuppance. Though a latecomer in the Murdaugh sweepstakes—the first of at least three other books, John Glatt’s Tangled Vines, appeared a year ago—Bauerlein’s gracefully written, thoughtful treatment is by far the best.
A memorable—and often chilling—account of tangled webs, addled minds, and the evil that men do.Pub Date: Aug. 20, 2024
ISBN: 9780593500583
Page Count: 480
Publisher: Ballantine
Review Posted Online: June 15, 2024
Kirkus Reviews Issue: July 15, 2024
PERSPECTIVES
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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