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TREES

There’s a lot to love here for readers who can look past those pronouns.

A book of poetry that celebrates trees.

Each double-page spread has a nonrhyming poem about a specific type of tree accompanied by art showing the tree in its environment. The first spread is the only one divergent from the pattern, with this pleasant, succinct introduction: “Each tree offers / a story / a clue / a dance / that makes it / its very own / self.” These words show up clearly in white against a gray-green late-autumn background. Different varieties of trees along with several people can be seen from an aerial view as bright leaves swirl about. There is a feeling of exuberance. Throughout the well-laid-out book, the art, a skilled merging of printmaking and digital techniques, deftly complements the text, using facts about each tree to create divergent moods—including a surprisingly foreboding mood at the end. Language is elegant and accessible, with personification as the useful, key poetic device. One significant shortcoming: Every tree-descriptive poem but the final two contains a gender-specific—and often stereotypical—pronoun. Some of the funnier poems require gender for their imagery, such as imagining a scraggly white pine as an “unruly uncle.” However, unnecessarily, the musical maple offers “her” sap after a long, dark winter; “Silly Palm” wears all “her” leaves on top; the mighty oak is, of course, male. Fortunately, the art for each tree is realistic, if stylized. If the aspen danced on its “tippy toes,” readers would still see the same tree swaying in the wind.

There’s a lot to love here for readers who can look past those pronouns. (Picture book/poetry. 4-8)

Pub Date: March 5, 2019

ISBN: 978-1-4814-4707-2

Page Count: 40

Publisher: Beach Lane/Simon & Schuster

Review Posted Online: Nov. 25, 2018

Kirkus Reviews Issue: Dec. 15, 2018

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ANIMAL ARCHITECTS

From the Amazing Animals series

An arguable error of omission and definite errors of commission sink this otherwise attractive effort.

A look at the unique ways that 11 globe-spanning animal species construct their homes.

Each creature garners two double-page spreads, which Cherrix enlivens with compelling and at-times jaw-dropping facts. The trapdoor spider constructs a hidden burrow door from spider silk. Sticky threads, fanning from the entrance, vibrate “like a silent doorbell” when walked upon by unwitting insect prey. Prairie dogs expertly dig communal burrows with designated chambers for “sleeping, eating, and pooping.” The largest recorded “town” occupied “25,000 miles and housed as many as 400 million prairie dogs!” Female ants are “industrious insects” who can remove more than a ton of dirt from their colony in a year. Cathedral termites use dirt and saliva to construct solar-cooled towers 30 feet high. Sasaki’s lively pictures borrow stylistically from the animal compendiums of mid-20th-century children’s lit; endpapers and display type elegantly suggest the blues of cyanotypes and architectural blueprints. Jarringly, the lead spread cheerfully extols the prowess of the corals of the Great Barrier Reef, “the world’s largest living structure,” while ignoring its accelerating, human-abetted destruction. Calamitously, the honeybee hive is incorrectly depicted as a paper-wasps’ nest, and the text falsely states that chewed beeswax “hardens into glue to shape the hive.” (This book was reviewed digitally.)

An arguable error of omission and definite errors of commission sink this otherwise attractive effort. (selected sources) (Informational picture book. 5-8)

Pub Date: Sept. 7, 2021

ISBN: 978-1-5344-5625-9

Page Count: 56

Publisher: Beach Lane/Simon & Schuster

Review Posted Online: July 5, 2021

Kirkus Reviews Issue: Aug. 1, 2021

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HELLO WINTER!

A solid addition to Rotner’s seasonal series. Bring on summer.

Rotner follows up her celebrations of spring and autumn with this look at all things winter.

Beginning with the signs that winter is coming—bare trees, shorter days, colder temperatures—Rotner eases readers into the season. People light fires and sing songs on the solstice, trees and plants stop growing, and shadows grow long. Ice starts to form on bodies of water and windows. When the snow flies, the fun begins—bundle up and then build forts, make snowballs and snowmen (with eyebrows!), sled, ski (nordic is pictured), skate, snowshoe, snowboard, drink hot chocolate. Animals adapt to the cold as well. “Birds grow more feathers” (there’s nothing about fluffing and air insulation) and mammals, more hair. They have to search for food, and Rotner discusses how many make or find shelter, slow down, hibernate, or go underground or underwater to stay warm. One page talks about celebrating holidays with lights and decorations. The photos show a lit menorah, an outdoor deciduous tree covered in huge Christmas bulbs, a girl next to a Chinese dragon head, a boy with lit luminarias, and some fireworks. The final spread shows signs of the season’s shift to spring. Rotner’s photos, as always, are a big draw. The children are a marvelous mix of cultures and races, and all show their clear delight with winter.

A solid addition to Rotner’s seasonal series. Bring on summer. (Informational picture book. 4-7)

Pub Date: Oct. 16, 2018

ISBN: 978-0-8234-3976-8

Page Count: 32

Publisher: Holiday House

Review Posted Online: Aug. 13, 2018

Kirkus Reviews Issue: Sept. 1, 2018

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