There’s a lot to love here for readers who can look past those pronouns.
A book of poetry that celebrates trees.
Each double-page spread has a nonrhyming poem about a specific type of tree accompanied by art showing the tree in its environment. The first spread is the only one divergent from the pattern, with this pleasant, succinct introduction: “Each tree offers / a story / a clue / a dance / that makes it / its very own / self.” These words show up clearly in white against a gray-green late-autumn background. Different varieties of trees along with several people can be seen from an aerial view as bright leaves swirl about. There is a feeling of exuberance. Throughout the well-laid-out book, the art, a skilled merging of printmaking and digital techniques, deftly complements the text, using facts about each tree to create divergent moods—including a surprisingly foreboding mood at the end. Language is elegant and accessible, with personification as the useful, key poetic device. One significant shortcoming: Every tree-descriptive poem but the final two contains a gender-specific—and often stereotypical—pronoun. Some of the funnier poems require gender for their imagery, such as imagining a scraggly white pine as an “unruly uncle.” However, unnecessarily, the musical maple offers “her” sap after a long, dark winter; “Silly Palm” wears all “her” leaves on top; the mighty oak is, of course, male. Fortunately, the art for each tree is realistic, if stylized. If the aspen danced on its “tippy toes,” readers would still see the same tree swaying in the wind.
There’s a lot to love here for readers who can look past those pronouns. (Picture book/poetry. 4-8)Pub Date: March 5, 2019
ISBN: 978-1-4814-4707-2
Page Count: 40
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: Nov. 25, 2018
Kirkus Reviews Issue: Dec. 15, 2018
A lyrical and educational look at the water cycle.
Through many types of weather and the different seasons, water tells readers about its many forms.
“Sometimes I’m the rain cloud / and sometimes I’m the rain.” Water can make rainbows and can appear to be different colors. Water is a waterfall, a wave, an ocean swell, a frozen pond, the snow on your nose, a cloud, frost, a comet, a part of you. Throughout, Paterson’s rhyming verses evoke images of their own: “Soon the summer sun is back / and warms me with its rays. / I rise in rumbling thunderheads / like castles in the haze,” though at times word order seems to have been chosen for rhyme rather than meaning (“In fall I sink into a fog / and blanket chilly fields, / with pumpkins touched by morning frost / the harvest season yields”). Backmatter includes a diagram of the water cycle that introduces and describes each step with solid vocabulary, including “Collection” as a step in the process; “The Science Behind the Poetry,” which unpacks some of the poetic language and phrases; some water activities and explorations; conservation tips; and a list of other books from the publisher about water. Paterson’s full- and double-page–spread illustrations are just as magical as his verse, showing water in its many forms from afar and close up. Few people appear on his pages, but the vast majority of those are people of color.
A lyrical and educational look at the water cycle. (Informational picture book. 4-8)Pub Date: March 1, 2018
ISBN: 978-1-58469-615-5
Page Count: 32
Publisher: Dawn Publications
Review Posted Online: Jan. 12, 2018
Kirkus Reviews Issue: Feb. 1, 2018
BOOK REVIEW
BOOK REVIEW
A good introduction to observation, data, and trying again.
Cece loves asking “why” and “what if.”
Her parents encourage her, as does her science teacher, Ms. Curie (a wink to adult readers). When Cece and her best friend, Isaac, pair up for a science project, they choose zoology, brainstorming questions they might research. They decide to investigate whether dogs eat vegetables, using Cece’s schnauzer, Einstein, and the next day they head to Cece’s lab (inside her treehouse). Wearing white lab coats, the two observe their subject and then offer him different kinds of vegetables, alone and with toppings. Cece is discouraged when Einstein won’t eat them. She complains to her parents, “Maybe I’m not a real scientist after all….Our project was boring.” Just then, Einstein sniffs Cece’s dessert, leading her to try a new way to get Einstein to eat vegetables. Cece learns that “real scientists have fun finding answers too.” Harrison’s clean, bright illustrations add expression and personality to the story. Science report inserts are reminiscent of The Magic Schoolbus books, with less detail. Biracial Cece is a brown, freckled girl with curly hair; her father is white, and her mother has brown skin and long, black hair; Isaac and Ms. Curie both have pale skin and dark hair. While the book doesn’t pack a particularly strong emotional or educational punch, this endearing protagonist earns a place on the children’s STEM shelf.
A good introduction to observation, data, and trying again. (glossary) (Picture book. 5-8)Pub Date: June 19, 2018
ISBN: 978-0-06-249960-8
Page Count: 40
Publisher: Greenwillow Books
Review Posted Online: March 26, 2018
Kirkus Reviews Issue: April 15, 2018
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