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EMPTY SEATS

While it eventually turns melodramatic, this tale offers an appealingly honest portrayal of aspirant baseball players.

Three minor league pitchers contend with fate in this debut novel.

Growing up outside Boston under the shadow of his father’s unrealized major league baseball dreams, Jimmy Bailey wishes to succeed where his dad could not. That’s why he’s willing to board with a strange family in Jamestown, New York, in the early 1970s. He isn’t the only pitcher there to play ball for a Single-A affiliate of the Montreal Expos. There’s also Bobby Mangino, a hotheaded New Yorker with some father issues of his own to work out, and Bud Prescott, an aw-shucks optimist from Athens, Georgia. The three young athletes must contend with their nerves, ambitions, and abilities to throw fastballs as they spend the summer competing to move forward toward their dreams of the big leagues. “We’re all in the same boat: all-stars in our high schools, Babe Ruth and Connie Mack ball,” narrates Jimmy. “People at home knew who we are. Here, we are essentially nothing but three passengers jammed into the back seat of a Dodge station wagon—until we can prove otherwise.” They must face the expected obstacles. But the unforeseen tragedies (bodily, legal, and otherwise) will remind them that once they leave the field, they still have to compete in the most important game of all: the rest of their lives. Fischer adeptly—and often lyrically—captures the mindset of her characters, both their love of their sport and the things that they’ve given up to pursue it: “There’s nothing better than the smell that fills every corner, every inch, of a ballpark on a sunny spring day....The aroma makes me feel high. I bet it’s like sniffing cocaine or drinking too much tequila. But I’ve never done that. I’ve only gotten high on baseball.” The author wrings genuine emotions from the tale, making sure that readers know what’s at stake for these young men. This is perhaps why some shocking third act developments feel histrionic and unnecessary. Even so, Fischer manages to clearly communicate her ultimate message: that baseball holds more humiliation than it does glory, and far more losers than winners.

While it eventually turns melodramatic, this tale offers an appealingly honest portrayal of aspirant baseball players.

Pub Date: Oct. 23, 2017

ISBN: 978-0-9995049-0-1

Page Count: 260

Publisher: Spring Training Media

Review Posted Online: Dec. 20, 2017

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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