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THE DARK WE KNOW

A powerful, introspective gothic tale filled to the brim with horror.

Children are dying in the eerie town of Slater—and Isa’s been unknowingly drawing their deaths before they occur.

Eighteen-year-old Isadora Chang left home two years ago in the wake of the tragic suicides of close friends Wren and Zach, the only other people of color her age. But the new life she’s built comes crashing down when her art school portfolio showcase consists of gruesome sketches rather than pieces on her proposed theme. Although her professor grants her an extension, completing the work necessary to retain her scholarship feels like an insurmountable task, especially after she’s persuaded to go home for her abusive father’s funeral. Returning to Slater means reuniting with Mason, the only other surviving member of their friend group. It also means hearing the mountains sing to her again. As a bisexual Chinese American girl in a highly Christian quarry town, Isa always felt that staying put would mean death. This fear is heightened when Mason seeks her help: He believes that Wren and Zach were murdered by a mysterious force and that Isa may be the key to solving everything. Told in Isa’s resonant first-person voice, this debut transcends the supernatural mystery genre with its emotional depth and engaging setting. As a contemplative alternative to action-focused horror, its striking explorations of grief, shame, love, and queerness will haunt readers with how true they ring.

A powerful, introspective gothic tale filled to the brim with horror. (Horror. 14-18)

Pub Date: Aug. 13, 2024

ISBN: 9781638930587

Page Count: 336

Publisher: Gillian Flynn/Zando

Review Posted Online: May 4, 2024

Kirkus Reviews Issue: June 1, 2024

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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CARAVAL

From the Caraval series , Vol. 1

Immersive and engaging, despite some flaws, and destined to capture imaginations.

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  • New York Times Bestseller

Magic, mystery, and love intertwine and invite in this newest take on the “enchanted circus” trope.

Sisters raised by their abusive father, a governor of a colonial backwater in a world vaguely reminiscent of the late 18th century, Scarlett and Donatella each long for something more. Scarlett, olive-skinned, dark of hair and attitude, longs for Caraval, the fabled, magical circus helmed by the possibly evil Master Legend Santos, while blonde, sunny Tella finds comfort in drink and the embraces of various men. A slightly awkward start, with inconsistencies of attitude and setting, rapidly smooths out when they, along with handsome “golden-brown” sailor Julian, flee to Caraval on the eve of Scarlett’s arranged marriage. Tella disappears, and Scarlett must navigate a nighttime world of magic to find her. Caraval delights the senses: beautiful and scary, described in luscious prose, this is a show readers will wish they could enter. Dresses can be purchased for secrets or days of life; clocks can become doors; bridges move: this is an inventive and original circus, laced with an edge of horror. A double love story, one sensual romance and the other sisterly loyalty, anchors the plot, but the real star here is Caraval and its secrets.

Immersive and engaging, despite some flaws, and destined to capture imaginations. (Fantasy. 14 & up)

Pub Date: Jan. 31, 2017

ISBN: 978-1-250-09525-1

Page Count: 416

Publisher: Flatiron Books

Review Posted Online: Sept. 18, 2016

Kirkus Reviews Issue: Oct. 1, 2016

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