Barney and The Piggy are back in this long-awaited, delightfully icky sequel to Interstellar Pig (1995). The aliens have left in pursuit of The Piggy, but Barney still has the Interstellar Pig board game they abandoned in their haste. He’s been playing the game with his new friends: another 16-year-old named Katie, an undergraduate named Matt, and a mysterious stranger named Julian. Barney thinks that the game is no longer dangerous, since the aliens have left Earth. Of course, the real game isn’t over at all. Julian kidnaps Barney, and reveals himself as a giant tapeworm parasite in a dinosaur-like creature with disgusting eating habits. Matt, it seems, is a giant parasitic wasp, who kidnaps Katie. Katie, at least, is actually human. This merry band descends on the planet J’koot in search of The Piggy. J’koot is the home of enormous crabs who reputedly find humans tastiest after slow and painful death (the crabs are distressed by their brutal reputation; in one hysterical scene, they escort their captives to a tastefully decorated spa for “marination therapy” in a pool filled with something like garlic and soy sauce). To complicate matters even further, Barney has a parasite—Madame Toxoplasma Gondii—living in a cyst in his brain; she needs Barney to be eaten by a giant crab in order to complete her lifecycle. Barney’s hilarious adventures are filled with gruesome detail, lovingly described. The presence of a few appealing secondary characters, which Interstellar Pig lacked, gives Barney’s new story freshness in its own right, and keeps it from being merely a sequel. (Fiction. 12-16)
Pub Date: Oct. 1, 2002
ISBN: 0-525-46918-4
Page Count: 220
Publisher: Dutton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2002
Wrought with admirable skill—the emptiness and menace underlying this Utopia emerge step by inexorable step: a richly...
In a radical departure from her realistic fiction and comic chronicles of Anastasia, Lowry creates a chilling, tightly controlled future society where all controversy, pain, and choice have been expunged, each childhood year has its privileges and responsibilities, and family members are selected for compatibility.
As Jonas approaches the "Ceremony of Twelve," he wonders what his adult "Assignment" will be. Father, a "Nurturer," cares for "newchildren"; Mother works in the "Department of Justice"; but Jonas's admitted talents suggest no particular calling. In the event, he is named "Receiver," to replace an Elder with a unique function: holding the community's memories—painful, troubling, or prone to lead (like love) to disorder; the Elder ("The Giver") now begins to transfer these memories to Jonas. The process is deeply disturbing; for the first time, Jonas learns about ordinary things like color, the sun, snow, and mountains, as well as love, war, and death: the ceremony known as "release" is revealed to be murder. Horrified, Jonas plots escape to "Elsewhere," a step he believes will return the memories to all the people, but his timing is upset by a decision to release a newchild he has come to love. Ill-equipped, Jonas sets out with the baby on a desperate journey whose enigmatic conclusion resonates with allegory: Jonas may be a Christ figure, but the contrasts here with Christian symbols are also intriguing.
Wrought with admirable skill—the emptiness and menace underlying this Utopia emerge step by inexorable step: a richly provocative novel. (Fiction. 12-16)Pub Date: April 1, 1993
ISBN: 978-0-395-64566-6
Page Count: 208
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1993
At the end of the term, a new student who is black and Vietnamese finds a morsel of hope that she too will find a place in...
This is almost like a play for 18 voices, as Grimes (Stepping Out with Grandma Mac, not reviewed, etc.) moves her narration among a group of high school students in the Bronx.
The English teacher, Mr. Ward, accepts a set of poems from Wesley, his response to a month of reading poetry from the Harlem Renaissance. Soon there’s an open-mike poetry reading, sponsored by Mr. Ward, every month, and then later, every week. The chapters in the students’ voices alternate with the poems read by that student, defiant, shy, terrified. All of them, black, Latino, white, male, and female, talk about the unease and alienation endemic to their ages, and they do it in fresh and appealing voices. Among them: Janelle, who is tired of being called fat; Leslie, who finds friendship in another who has lost her mom; Diondra, who hides her art from her father; Tyrone, who has faith in words and in his “moms”; Devon, whose love for books and jazz gets jeers. Beyond those capsules are rich and complex teens, and their tentative reaching out to each other increases as through the poems they also find more of themselves. Steve writes: “But hey! Joy / is not a crime, though / some people / make it seem so.”
At the end of the term, a new student who is black and Vietnamese finds a morsel of hope that she too will find a place in the poetry. (Fiction. 12-15)Pub Date: Jan. 1, 2001
ISBN: 0-8037-2569-8
Page Count: 176
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2001
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