In Datta’s SF series entry, a trillionaire tech entrepreneur and inventor in the near future is hesitant to use his superpowers to “reset” the universe, as he might delete his loved ones.

The series’ central conceit is that certain humans are born with innate “Time Corrector” powers that allow them to halt or reverse time and thus rewrite reality. This talent is bound to a rare Earth substance called intreton—a key element in everything from clean energy technology to cybernetic limbs, digital mind transfer, and artificial intelligence. In the early 21st century, super-genius Vincent Abajian is the incredibly wealthy leader of the cutting-edge Quantum World, a company that makes positive and progressive use of intreton. The inventor is a Time Corrector—intreton is part of his physiology, in fact—but his life hasn’t run like clockwork. As a bullied orphan, he bonded with Japanese Dutch violin prodigy Akane, who disappeared in a strange space-time storm. As an adult, he met the alluring but inconstant classical pianist Emika. Terrorists and traitors targeting Vincent and Akane turn out to be manipulated by Philip Nardin, a mega-tycoon who has an alter ego named Oliver Journe from a different reality. Nardin is covetous of Vincent’s power, and Oliver turns out to have an important connection to the Quantum World CEO. Vincent can radically manipulate the timestream and do a “reset,” saving numerous victims, foiling Nardin’s bad guys, and maybe even erasing himself. Taking such a drastic step would also delete the existence of Nozomi, Vincent’s cherished daughter with Emika. Scoundrels in the governments of the United States and Japan are converging on the dueling trillionaires, attempting to exploit intreton and its ramifications for the weapons market. Vincent must find a path through the tangled relationships and cause-and-effect paradoxes.

Characters frequently maintain multiple identities, and there are diverging/merging timelines, illusions, ever-shifting rules, and even double take–inducing walk-on roles by Zeus and other figures of Greek mythology (especially Chronos, the personification of time itself); indeed, readers will find that the narrative is more intricate than the inside of a complex pocket watch. In order to help readers through the curlicues of multiple perspectives, flashbacks, flashforwards, and do-overs, Datta provides a plethora of footnotes (“This is a continuation of a scene from ‘Omurice,’ chapter 15 of The Winding, Time Corrector Book 1,” reads one), which makes one wonder whether the e-book version ought to have been tricked out with some helpful hyperlinks. In the home stretch, after leading readers through corporate shenanigans and combat-SF, the plot becomes a drama of second-chance destinies and romantic what ifs, guiding readers through histories that have technically already occurred. It should be predictable, but for those hardy adventurers who tough out the loopier bits, the storyline will hold their interest as the many gears, cogs, and coils of fate mesh and unwind. If Back to the Future is elementary time travel, this is the stuff of doctoral theses.

This latest series installment delivers an intricately recursive time-hopping tale of heartache and skullduggery.

A celebrity entrepreneur and inventor in the near future confronts a masked enemy, time-travel paradoxes, and historical rewrites in Datta’s sequel to The Winding (2021).

This series installment begins years after the first, focusing again on 21st-century celebrity Vincent Abajian, a scientific genius whose Quantum World company leads the planet in technological progress. He has a secret, genetic “time corrector” ability that allows him to enter a time/space warp called “the core” and shape the past, present, and future. In the world of the novel, “time turbulence” storms occasionally strike, and one such disaster robbed Vincent of his 1990s boarding school love, musician Akane. In the previous book, Vince rediscovered temporary bliss with an alternate version of Akane named Emika, but the relationship soured; Emika was pregnant, but Vince, whose memory was later wiped, isn’t currently aware of this. The long-lost Akane returns to his life, but Vincent’s idyll is interrupted by lingering memories of Emika and her baby. Meanwhile, Quantum World is introducing new mind-data interface helmets that promise a treatment for Alzheimer’s disease and downloadable access to many skills. In addition, masked marauder/hacker Vandal starts launching attacks against Vincent and his loved ones. Datta offers a book that’s most likely to appeal to attentive fans of the first series installment. For example, he further complicates the already complex nonlinear structure of The Winding, with the plot unfolding via multiple first-person perspectives in multiple timelines, sometimes recapping the same incidents from different points of view. Numerous footnotes attempt to clarify points or highlight foreshadowing in the last book, but newcomers may still find this volume very difficult to follow. In a preface, the author explains that a sojourn in Japan heavily influenced the material here, and, indeed, readers will find that the work has a very strong anime flavor, with mecha combat suits, Japanese dialogue (partially translated), unresolvable romantic sentiments, and moments of mysticism (the titan Chronos and his rebellious Greek god-children have stakes in the proceedings). Finally, an open ending offers a revelation of a not-so-surprising master villain.

A highly complex middle-chapter installment of an intricate SF/fantasy that requires sharp attention.

In this debut SF novel, an academic/inventor struggles through decades of losing, regaining, and losing the loves of his life due to a mysterious phenomenon.

Datta’s tale envisions an Earth suffering rare but disruptive “time turbulence” events. As a brilliant youngster in 1990s America, Vincent Abajian is orphaned, bullied, and becomes an outcast at school. He finds solace with Akane Egami, a Japanese Dutch classmate and music prodigy. But this incipient love of his life disappears into a sudden time turbulence in 1991. By 2024, still obsessed with Akane and what-ifs, Abajian is in the forefront of artificial intelligence and robotics advancements, leading a university research team. He finds patronage in superrich Philip Nardin, who holds the patent for intreton, “an element absent from the periodic table,” which seems somehow tied to time itself. After the two men bond over a shared fascination with high-end watches, Nardin takes Abajian into his confidence, hiring the scientist to write his biography. Nardin has survived multiple time turbulences, emerging with insights into future and parallel timelines—which is vital, first because corrupt congressmen and military-industrial lobbyists seek to exploit and weaponize intreton. And second, because Abajian meets Emika Amari, a young, postdoctoral scientist and violinist attracted to him. Emika seems a parallel-universe incarnation of Akane, and, thus, Abajian’s true love and happiness reborn. But Emika can also be petulant, jealous, and flighty. Who is she really, and what is Abajian’s destiny in love and intrigue? Readers may find the leapfrogging, back-and-forth narrative chronology a bit turbulent itself. Datta’s formidable mainsprings of deep thought, causality, horology, music, and shameless romanticism help set up this first installment of an SF series. It is not a time-travel novel that trades in pulp thrills and fighting Morlocks (despite political shenanigans). The book is closer to Audrey Niffenegger’s The Time Traveler’s Wife (2003) in dealing with matters of the heart. But just when readers might have the plot strands all decoded, a concluding twist and a surreal-vision finale turn the storyline into a dense, snarled mesh of gears and escapements. The knotty narrative is captivating in stretches, but the engineering of Doctor Who’s Time and Relative Dimensions in Space is more easily grasped.

An engaging SF tale whose cause-effect plotline takes a licking and keeps on ticking.