Tomlin presents a second installment in a historical fiction series, following The Douglas Bastard (2022), set during the Second War of Scottish Independence.

In 1346, after the devastating defeat suffered by the Scots in the Battle of Neville’s Cross, Sir Archibald Douglas—the unrecognized son of the famous James “the Black” Douglas—returns home. His mentor and surrogate father, Sir William of Liddesdale, is a prisoner alongside the Scottish King David, and there’s little to stand between Scotland and English occupation. Sir Archibald, called “Archie” by his friends, is only a landless knight, but he starts quietly courting allies to launch guerilla attacks on the English. As they gain momentum, another foe brings both sides to their knees: a plague that would come to be known as the Black Death. When the epidemic subsides, war starts simmering again, but with a changed playing field, and Archie must choose between friends and foes within his own ranks. This novel excels in its historical details, which are clearly the result of meticulous research and beautifully evoke medieval Scotland with intimate descriptions of land, food, and clothing. The frequent battle scenes are well-paced and suitably brutal: “Blood geysered, spraying onto one of the horses. It jibbed and snorted.” The first-person narration gives the story a feeling of immediacy that’s sometimes lacking in historical fiction. But although individual scenes shine, the story as a whole struggles to take shape, and it covers about eight years at a clip with frequently abrupt time jumps. Archie is a likable protagonist—loyal and canny, battle-hardened but with deep affection for his allies and homeland. However, readers may find his growth difficult to gauge over the course of the novel. Sir Archibald was a real historical figure, and his story is remarkable enough to carry a series; yet when he must make a difficult choice about his loyalties in the final chapters, it doesn’t feel as agonizing or weighty as it should. Instead, the moment feels rushed and his journey feels truncated.

A brief, action-oriented medieval story whose rapid pace ultimately works against it.

The title character of this historical novel about the Wars of Scottish Independence in the 14th century is determined to earn respect—not to mention renown—and to become legitimate after a fashion.

In this fourth installment of a series, readers meet Archie Douglas, the Black Douglas’ bastard son, at the age of 9. David, the young king of Scotland, is scarcely older, and the court is in France in exile. Archie believes that some people think he is “unimportant” because he is a bastard and vows to “prove them wrong. They would see what a bastard could do.” He is put under the care of Sir William Douglas, Lord Liddesdale, a cousin of Archie’s deceased father. Eventually, Archie will become Sir William’s squire and later much more. The story’s action comprises a series of clashes, mostly victorious for Archie’s side, until the fateful Battle of Neville’s Cross. King David and Sir William are captured, and Archie and his friend Will Ramsay make a daring escape. Things could hardly look worse, but Tomlin assures readers that there will be another volume. The author has a slew of books to her credit, and this one does not disappoint. Archie, who narrates, is a strong character, alternately fearless and terrified (as one would be in his situation), and proud Sir William, his mentor, is not even afraid to stand up to the king if he feels he has been ill-used. Descriptions are vibrant and violence is a given. These people play for keeps. Historical details are accurate, including the accounts of a tournament that the English host during a temporary truce and the joyful welcoming of King David on his return to Scotland. The rich backmatter features the sources researched (very impressive) and a discussion that separates the historical facts from the liberties that Tomlin has taken. This is much appreciated, but even so, the plethora of characters and often similar names invite confusion. There is also a valuable glossary. Unfortunately, some terms—hobelar, au outrance, and schiltron, for example—are missing from the list. That said, the author has done a remarkable job with a mare’s nest of historical material.

Packed with vivid details, this tale delivers a real treat for Middle Ages history buffs.