The investigation of a mysterious accident puts a fragile friendship at risk in Millman’s thriller.

In this third installment of the Queen City Crimes series, Det. Ebony Jones is assigned to the case of a man who disappeared after a severe storm popped up while he was kayaking on the Hudson River. The identity of the missing kayaker comes as a blow to Ebony—he’s Kyle Emory, the ex-boyfriend of Ebony’s estranged best friend, attorney Jessie Martin, and the father of Jessie’s daughter, Lily. Ebony has to deliver another shock to Jessie, now reunited with her true love, Judge Hal Samuels: Kyle was engaged to Olivia Vargas, a much-younger social media influencer. Ebony first has to confirm whether Kyle is missing or dead; if he’s dead, she must determine whether his death was an accident, a suicide, or murder. If Kyle is a homicide victim, Ebony will have no shortage of suspects, including Olivia, who’s now entitled to half of Kyle’s life insurance payment; Olivia’s debt-ridden brother, Auggie; and Olivia’s current husband, Raul Esperanza, whom she hasn’t yet divorced. Ebony’s investigation is complicated by her fractured relationship with Jessie and by Jessie’s insistence on conducting her own off-the-books inquiry. The author impressively juggles several viewpoints (including those of Ebony, Jessie, and new district attorney Cindie Tarrico) of the same complex case. She also deftly illustrates the fraught political landscape that the police must navigate when dealing with the wealthy Vargas family (“Carlos Vargas’ words contained the undertone of a command rather than a request, and it was apparent he was used to controlling the situation”) and vividly conveys the breakneck pace of the investigation. Millman creates relatable, flawed characters: There’s Ebony, who is so tentative about reaching toward the future, both in her work and her personal life, and Jessie, who should be looking forward to a future with Hal but instead wallows in her past with Kyle. The tension between the two former close friends effectively raises the stakes of the narrative.

An involving whodunit with strong characters who must find a way to work together.

A lawyer rescues a victim in distress and gets drawn into the hunt for a serial rapist in this crime novel.

Attorney Jessie Martin pulls over to the side of the road while driving in Poughkeepsie, New York, when she spies a woman lying unconscious in the pouring rain. The woman, Lissie Sexton, survives—she’s a sex worker who was mercilessly beaten by a client she cannot adequately identify. Police detective Ebony Jones—a direct, “just the facts, ma’am” type of investigator—comes to believe that Lissie suffered at the hands of a dangerous serial rapist as similar victims are discovered. Unfortunately, Lissie disappears, and it turns out that she’s represented by Jeremy Kaplan, a shady lawyer, who insists on keeping her whereabouts unknown. Jessie has a tortured history with Jeremy, a despicable man who once tried to destroy her career. Yet she is now offered a job by him. A distraught Jessie mulls her thorny predicament: “Was she really considering crossing over to the dark side? To Jeremy Kaplan? The man who’d almost had her disbarred, who’d cost her the partnership at Curtis and McMann, her engagement to Kyle, and who’d threatened her life and Lily’s? Was she out of her freaking mind?” She ends up accepting the position against her better judgment. Now, Jones leans on Jessie to disclose Lissie’s whereabouts. But Jessie refuses, a decision that only increases the already existing tensions between her and Jones, her former best friend.

In this ambitious sequel, Millman certainly doesn’t skimp on the action—every page seems to reveal a new drama or explain an old one, and the tale’s pace never lags. The main plot is intelligently structured and entirely plausible. While it offers nothing literarily original, the story provides a thoughtful portrayal of the tension between the demands of defense attorneys and the needs of law enforcement. But the tale is written in such a hyperventilated style that it sometimes seems more comic than tragic. The backstory is so complex that it quickly becomes a burden—the book begins with an unwieldy freight of dramas that are difficult to unravel. Jessie is stalked by a psychotic killer; is in a state of perpetual struggle with her ex-fiance; and flounders in her current relationship with Hal Samuels, a district attorney, who has his own set of problems, both professional and personal. As the subplots multiply, the tale becomes increasingly overwrought. But the principal bar to readers’ enjoyment of what could be an entertaining crime drama is the author’s writing, which swings from melodramatic to bland. Consider this internal monologue by Jones: “This is why I became a public servant, she thought. Solving crimes and catching scumbags are cool, but saving a life’s the best.”

An action-packed but uneven thriller.