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Koko Bobb

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Koko Bobb was born in New York City and raised in its sprawling suburbs. Even at a tender age, the dichotomy between there and here, here and there was irresistibly such, he ran away from home at every opportunity until his long-suffering parents, bless their kindly souls, had no choice but to chain him to his desk both at school and home. It was a bitter pill to swallow but necessary, he now concedes. Such penal measures work in mysterious ways. “Adversity,” self-defined, is the mother of invention. Looking back, he realizes that during those darkest hours, to while away his misery the seeds were unwittingly being sown for escapist, fantastical attempts at short fiction of what lay down the road and over the hill, which subsequently evolved into his early novels "Sacred Flames" and "Shards of Ephemera." Because Koko is by nature an inveterate slacker, sweet indolence cherished far more than any worldly ambition and pots of gold, too frequently he must resort to reimagining the ball and chain so as to spark the fire and fan the flames under him of getting back to work, of sticking to his desk and never going to sea. Nowadays, he divides his time between homes in Brooklyn and Abu Dhabi.

GOING IT ALONE: TALES TOO TALL TO DOUBT OR IGNORE Cover
FICTION & LITERATURE

GOING IT ALONE: TALES TOO TALL TO DOUBT OR IGNORE

BY Koko Bobb • POSTED ON April 24, 2022

Characters struggle in their everyday lives in Bobb’s debut collection of eight short stories.

In the novella-length “Agnes and Tommy,” Agnes barely makes ends meet while working two jobs and caring for her sickly son. But it’s her country club waitressing gig that triggers the most stress thanks to ever hounding bartender Victor. One day she finally tells off Victor, with unforeseen consequences. One of those happens to be Tommy, the charismatic new bartender who may prod a reticent Agnes into bettering her life. Other tales showcase similar people, who are alone by choice or circumstance. Carrie, in “By the Rivers of Babylon, There She Wept,” is a writer in need of inspiration for her second novel. But as she wanders a village’s main street, locals practically ostracize the out-of-towner, as she’s “perhaps a bit bizarre.” Seemingly ordinary folk, up against familiar dilemmas or hardships, populate this collection. There’s a man who’s just lost his beloved mother, Martha, and an on-again, off-again couple who, despite endless bickering, show obvious affection and even talk of marriage. The tales in this book, even with their share of bullies and discontents, are typically buoyant. In “Deus ex Machina,” a library assigns “unofficial archivist” Henry the task of recording a theater company’s history. While there’s a wealth of “dirt,” from conspiracies to character assassinations and back-stabbings, Henry laments that his assignment demands he forgo all of that for standard promotional fare. Bobb writes in a sharp, lyrical prose style: “The ladies descended exuberantly down the slope while a balmy sea breeze caressed their wizened faces like a precious ointment, a briny myrrh.” The drawback is that the voice is so strong that it renders the cast’s assorted narrations and dialogue indistinguishable across the eight stories. The distinctions exist instead among the absorbing individual plots and their sometimes unexpected outcomes.

Engaging tales show unassuming people facing unavoidable plights.

Pub Date: April 24, 2022

ISBN: 978-0-578-28545-0

Page count: 312pp

Publisher: Self

Review Posted Online: July 9, 2022

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