PRO CONNECT
Ragnar Kroll, an eccentric falcon-training coast-dwelling character in Virtuality, is a pseudonym for David Rosenbloom.
David Rosenbloom has been active as a writer, musician/composer and painter in New York since the late 70′s no wave period. His work includes music composition and performance, fiction, painting/drawing, video and photography. He has performed and exhibited across the US and Europe. In addition, he has been active as a software engineer for decades.
He has released 7 albums of diverse musical work with his multiple ensembles: Chinese Puzzle, the Electric Chorus and Orchestra, the Outlanders, and the David Rosenbloom Trio. As a guitarist, he has performed, recorded and/or toured with Glenn Branca, Rhys Chatham and Robin Crutchfield. Virtuality is his first novel.
His work address dichotomies of emotion and thought, color and line, idealism and reality, pleasure and pain, ethics and transgressions, and energy’s mutation of form. “Art is a dialogue with an unlimited partner: the conversation is the signature of the individual’s experience of existence.”
On Virtuality Book I: The Sailor Comes Home from the Sea:
"Pet robots, assisted living robots, industrial worker robots, military robots, sex robots —suddenly they were everywhere. Most fascinating were those intended for emotional interaction: pet robots, animatronic sex dolls. While these early efforts were clearly limited, I imagined what would happen when the technology evolved to the point of truly seeming sentient: capable of interacting with and understanding humans, perhaps even crossing the almost-but-creepily-not-human 'uncanny valley.'
"It seemed natural and inevitable that a combination of human shortsightedness and human error in the development of AI would likely spawn entirely unexpected events. I also imagined extrapolations of medical technology that would provide both profound benefits but also unintended negative consequences.
"This line of thinking spawned the writing of Virtuality Book I: The Sailor Comes Home from the Sea.
"I imagined the book as a cautionary transmission from the future via automatic writing through a curmudgeonly recluse, the pseudonym Ragnar Kroll."
recordings:
Shards of Light (David Rosenbloom Trio) (2013) CD, Dark Roots
Reliquary (Electric Chorus & Orchestra) (2001) CD Dark Roots
Mysteries (The Outlanders) (2000) CD, Dark Roots
Music Is (The Outlanders) (1998) CD, Dark Roots
Souls of Chaos (Electric Chorus & Orchestra) (1982/1990/2001) LP Neutral Records, CD Line Records, CD Dark Roots.
Inside.Outside (Chinese Puzzle) (1980) LP Lust/Unlust, CD Dark Roots.
writings:
Elijah Named Manager of Saints, The Dream of Johnny Baseball, North Atlantic Press, 1986
My Retirement, Just Another Asshole, JAA, 1984
“Tech-driven codes and programs display terrifying flaws in Kroll’s near-future tale, in which self-aware robots and radical new therapies threaten the humans they’re meant to serve... Kroll’s worldbuilding in this opening series installment is sublime... This engrossing, perspicacious SF yarn sets the stage for a sure-to-be-memorable saga.”
– Kirkus Reviews
Tech-driven codes and programs display terrifying flaws in Kroll’s near-future tale, in which self-aware robots and radical new therapies threaten the humans they’re meant to serve.
In the mid-21st century, a new Internet-based system identifies individuals by their DNA. This makes it easy for the governing World Council to mandate the Healthcheck Protocol—a periodic scan using Directed Neuroplasticity Therapy that has all but eliminated violent crime and disease. One of the men who helped develop the original DN tech, Sam Pilgrim, is currently at an isolated ship-based research lab in the Indian Ocean. It’s there that he makes a startling discovery: Certain animatronics (sentient robots built with DNT hardware and firmware) may have become self-aware. On the other side of the world, in one of this future society’s “Districts” (a collection of small nation-states), Sam’s wife Robin and the couple’s 16-year-old daughter Lane come across similarly shocking information. As a doctor, Robin oversees DNT treatment, including one particular session that results in myriad inexplicable anomalies. Lane hears something similarly disquieting about the DNT offshoot Directed Neuroplasticity Edutainment (the “E” was originally for “Entertainment”); allegedly, DNE’s users, who revel in “neuropacks” (recordings of others’ real-life experiences), are suffering damaging effects over time. Foul play is not a given; self-aware animatronics or potentially harmful DNT may simply be the result of errors in code. DNT was never perfect—years earlier, the initial round of recipients became “Partials,” having been compromised physically, cognitively, or immunologically. But something sinister may be afoot as well—for one thing, Sam and Robin know that Simon Thorr, the other DN developer (whose company provides DNE as a service), harbors a dark secret or two.
Kroll’s worldbuilding in this opening series installment is sublime. Readers may want to skip to the end to peruse the “Historical Context” appendix, which illuminates the dense, riveting history of the World Council, DN, and animatronics. (This largely covers a mere handful of years prior to the novel’s present-day 2051.) The story primarily focuses on Sam, Robin, Lane, and Thorr, along with Sam’s co-workers at the lab, a regular DNE user, and a Partial who’s befriended Lane. They’re immersed in a narrative that thrives on chic technology as well as indelible terminology and slang (“One of the other SIM4s, whose name was Stretz, was functioning as a hardware technician in the firmware lab, stealthily accomplishing modifications to a trio of anim storage devices.”). The cast adds a welcome human element; Sam and Robin discover an unanticipated intimacy in their bouts of virtual sex that seemingly reinvigorates their relationship. (Neither one is fond of the self-absorbed Thorr.) The slow-burn plot teems with revelations as characters sift through data, exchange secret messages, and carefully relay what they’ve learned to someone they hopefully can trust; hardly surprising that many of them are perpetually “discombobulated” by what they’ve seen or heard. The novel’s ending leaves a lot to unpack for sequels and offers plenty of incentive for readers to come back.
This engrossing, perspicacious SF yarn sets the stage for a sure-to-be-memorable saga.
Pub Date:
Review Posted Online: Nov. 29, 2024
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