In Hanafee’s novel, kidnapped brothers face a terrible fate—unless a determined team of amateurs can save them.

In this latest installment of the Leslie Elliott mystery series, the tranquility of Anibonie Island (just off Florida’s Gulf Coast) is shattered by a cannily orchestrated and violent kidnapping plot. Well-heeled brothers Victor and Hugo Clerk are the targets of the criminals; a note demanding $200 million in ransom informs the police that the men will be buried alive until the money is paid. The kidnappers, who include an ex-soldier once convicted of murdering his commanding officer in Afghanistan, destroy the island’s communication network and disable the bridge linking Anibonie to the mainland. Unable to bring in reinforcements, a small and unlikely team of intrepid investigators find themselves in a race against time to rescue the kidnapped brothers from a horrible fate. Among them are public relations expert Leslie Elliott, who recently moved to the island to start a new career as a mystery writer, and her boyfriend, Wes Avery, a newspaper reporter from Chicago who gave up his big-city job to follow Leslie and who now writes for the island’s paper. They are assisted by Alex Pendry, a young, inexperienced sheriff’s deputy; Ray Santiago, a fireman; and the fearless Gene Muller, whose day job is to reduce the island’s increasingly destructive iguana population. The story moves quickly, and the lead characters, Leslie and Wes, are very likable. Their interactions become increasingly desperate as their search for the kidnapped (and possibly buried) brothers reaches a critical and doubtful stage: “Those poor men. I feel like we aren’t doing enough for them,” Leslie tells Wes as the search hits yet another dead end. “Let’s face it, Wes: This little search party of ours is pretty laughable.” But are the kidnappers as clever and determined as their pursuers? Readers will be carried along, fully engaged as the twists and turns of the plot produce unexpected revelations.

A page-turning thriller set on a beautiful Florida island.

In Hanafee’s latest series mystery, a Florida amateur investigator and aspiring novelist gets entangled in another murder investigation—this time one with ties to her local church.

This fourth outing featuring former public relations executive Leslie Elliott relocates her to Anibonie Island, Florida, where she teams up with her friend and local reporter Wes Avery to solve mysteries involving members of the small island community. After an unseasonable windstorm apparently results in a church bell falling onto and killing elderly church member Alice Gerkin, the amateur detective starts to wonder if foul play may have been involved. Specifically, she launches an investigation into the church’s pastor and the leaders of an expensive church-renovation project, which Alice opposed. Meanwhile, Leslie’s mother, Ruth, expedites her planned wedding to Gale Gammon; Leslie’s daughter, Meredith, and Gale’s son, Val (whom Gale mysteriously calls “unusual”), are pulled into the wedding planning as well, resulting in family drama. As things become more complicated at home, additional deaths appear to be connected to the renovation project. Leslie’s investigation causes her to run afoul of the church board and the island police. At the same time, Wes heads to Panama to investigate a strange, cultlike retreat that comes up in the investigation. Over the course of this complex novel, Hanafee presents Leslie’s primary interests as solving mysteries, watching her weight, and bemoaning the choices of young people. Indeed, many readers of this novel are likely to have some trouble relating to the younger characters, as they mostly seem to be included only so that older characters can criticize “needy” vegan millennials who don’t go to church. However, readers who share the opinions of the latter will find clear representation in these pages.

A conservative cozy whodunit that’s most likely to appeal to those who share the protagonist’s complaints about younger generations.

Hanafee offers readers two mysteries to solve in this mystery series entry set on an idyllic Florida island: one from 20 years ago and the other close to the present day.

It’s 2019, and jaded veteran reporter Wes Avery has come to South Florida to leave the rat race up north.His friend Leslie Elliott—the protagonist of Hanafee’s previous novel, Scavenger Tides (2020)—is an aspiring mystery author who tends to either find trouble or stir it up. Twenty years ago, 22-year-old Toby Mason shot himself in the head at a drunken party, but many townspeople don’t think it was the suicide that the shoddy police investigation concluded it was. Toby’s father has been trying to drink himself to death ever since, which gets Wes interested in the case. Meanwhile, two other characters from the previous book show up: One is Frank Johnson, charter fisherman, DEA informant, and Leslie’s boyfriend; the other is Jamie Thompson, drug runner. Johnson and Thompson have a rendezvous on the beach on a dark night and both wind up shot dead. Who may have hastened Toby’s death that night, and who killed Frank and Jamie? Hanafee moves things along in fine fashion, peppering the proceedings with good and unsettling lines: “I’ve discovered that on this island truth and fiction often walk the beach hand-in-hand,” Leslie says at one point. Many leads develop but few pan out; Wes manages to interview several witnesses to Toby’s death, but with mixed results, and Toby’s father is severely beaten. Some parts of the story seem forced, as when Leslie and Frank’s ex-wife, Janis, get drunk, bury the hatchet, and improbably become enthusiastic sleuthing partners. Everything finally works out, of course, although the resolution to Frank and Jamie’s story is a bit more surprising than Toby’s. The denouement may be a bit too sentimental for some readers, but not all.

A briskly readable, if slightly uneven, whodunit to while away a long afternoon.

In this mystery, a middle-aged Florida transplant deals with new friends, a hot fisherman, and body parts on the beach.

In Hanafee’s second book about inquisitive, wine-loving Leslie Elliott, the former Midwestern public relations executive now resides in Southwest Florida, where she attempts to start a new career as a mystery writer. Recently divorced, she also tries her hand at a new man: dimpled, sandy-haired Frank Johnson. Frank has a fishing boat and a spirited wife; supposedly he will soon part ways with one of them (spoiler alert: It won't be the vessel). One night while grilling fillets of fish at her condo, Leslie tells Frank she snooped inside a beachfront house under construction and found buzzards and a headless dog carcass. Frank reckons the house’s renovation is slow because the owner, widower Peter Thompson, lives primarily in Canada, and he suggests the dead animal was probably a coyote (but where’s the head?). The next day, Frank goes AWOL, and local children find a body in a boat on the beach. Yet when the sheriff arrives, the corpse is gone. Later, Leslie’s friend Deb Rankins and her art class find body parts on the shore, and the two women call the sheriff. But the sheriff—who told Leslie to mind her own business earlier when she called about the headless canine—again seems nonplussed. Leslie wonders: “Was there a killing spree in paradise that no one was talking about except for my friends and me?” Although thinking about Frank and writing her novel take up much of her days, she saves some time for dinners with Peter, who arrives to check on his house. It’s not clear in Hanafee’s story why two men are vying for Leslie’s attention, especially eye-candy Frank (“The man kind of takes your breath away”). And the crime novel fails to tie up loose ends, perhaps signaling a third installment starring the intrepid Leslie, who loves to look for clues and fears that she is “destined to be alone like the spinster ghost in the Tarpon Bar.” That said, juicy gossip about the community’s residents and amusing banter between Leslie and her mother—who confirms “There IS sex after 70”—make this enjoyable mystery’s pages turn quickly.

Fresh-catch grilling, red wine swilling, and a perplexing killing fill this breezy beach read.

A series of vexing work-related conflicts complicate a female executive’s life in journalist-turned-novelist Hanafee’s series opener.

Outspoken, 40-something Leslie Elliott has her hands full as a busy public relations guru for the utility company Metro Energy. Her firm’s new CEO, a womanizing cad named Brad Stewart, embroils Leslie in his lofty plans to merge with Statewide Power and Light, a lucrative utility concern based in the Midwest. With a combination of fear, vulnerability, opportunism, and erotic excitement, Leslie decides to accept Brad’s offer to collaborate with him on his latest venture, though she knows he’s unscrupulous both in and out of the office. When the merger offer is rejected, Brad becomes obsessed with making Leslie his “next conquest,” manipulating her with intimate personal confessions. When Leslie’s curt “control freak” husband, Scott, abruptly files for divorce and begins openly seeing another woman, a shift occurs in her outlook, and she begins to act with carefree liberation. She spontaneously treks back to Florida and begins seeing Tim Fletcher, an older Statewide executive who had refused the initial merger with Brad, but Brad’s pursuit of Leslie continues. When Leslie convinces Tim to attend another meeting with Brad about the proposal, she is caught in the middle of Brad’s unethical hostile takeover plot. These developments complicate her burgeoning feelings for Tim and feed her reluctance to continue supporting Metro altogether.

As the situation unspools, it becomes clear that the crux of Hanafee’s novel lies in power dynamics, as the narrative cleverly addresses hot-button issues of sexual harassment on the job. Leslie becomes uncomfortable around her new boss, allowing his inappropriate behavior to intimidate her while neglecting to report it. She needs her job and initially finds Brad alluring, so she makes excuses and allowances that, in turn, proliferate the abuse. Leslie’s inner monologue reveals that she is tiring of the terse treatment from the men in her life and the double standards in the corporate arena and that she has been working to “find the voice to respond” to the treatment she’s had to endure. A minor weakness of the novel is its unevenly portrayed peripheral characters, such as Leslie’s college-age daughter, Meredith, who is enticingly drawn but sparsely appears in a narrowly focused narrative that could use some opening up. Readers may also want more of Leslie’s charismatic best friend, Karen Chanders, who adds some feisty spice to the melodrama. Despite this, the lead characters are memorable and provide the needed grounding the busy plot requires. With Leslie as an anchoring, empowering element, former Indianapolis Star reporter Hanafee’s novel is a fast-paced, intense depiction of corporate America and the perennial struggle of women seeking equal treatment in the boardroom. This is an auspicious start for an adventurous, creative author.

A rousing corporate melodrama full of twists, turns, and vivid characters.