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Veronica Gventsadze

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I was born on the wrong side of the iron curtain in Soviet Russia but discovered a different universe in England where I spent five years of my childhood. My father, a diplomat and writer, and my mother, a professor of Farsi, were firm believers in the immersion method of learning a foreign language. Thus at the age of five I found myself immersed in a Church of England primary school where I began to understand and speak English, and to keep down the dreadfully unfamiliar lunches, out of sheer need to survive. To this day I don’t get jokes about the blandness of English cuisine. Growing up with two languages and two great literary traditions has shaped my stereoscopic vision of the world and my style as a writer: Russian lyricism blended with English refusal to take my characters too seriously.

While the wind of change swept across Russia in the late eighties I completed a university degree in linguistics and worked as a translator and conference interpreter, watching my country (specifically its oil and gas industry) open up to the world. Translating other people’s words made me hungry for exploring my own ideas on the background of the West’s intellectual heritage, and despite the exhilarating changes in Russia, I had longed to return to England—or to one of her children—ever since saying a reluctant goodbye and returning to Russia with my family. I got my lucky break in 1993 when I was accepted into the Master’s program of St John’s College in Annapolis, MD to study Liberal Arts. This and the subsequent PhD program in Social Thought at the University of Chicago were a time of intellectual feasting, getting tipsy on conversations with fellow students who became lifelong friends. After settling in Canada in 1999 I put my knowledge to use as a professor of philosophy and the humanities at Lakehead University in Thunder Bay, ON. During a lull in teaching I followed an impulse and signed up for Biology 101 to become a student at the same university where I taught. This was the beginning of a new career in veterinary medicine, a homage to my high school love of science and to my lifelong fascination with animals.

Upon graduating from the University of Guelph in 2008 I settled in Squamish, BC to work as an associate veterinarian and later as a locum. The responsibility for a life placed in my hands has cured me of pretty much all other fears as well as of perfectionism. In 2010 I finally decided I was ready to convert my life experience into writing, and launched a blog, Animal Doctor in Transition, reflecting on the practice of veterinary medicine and on what we can and should learn from animals. I made my literary debut in 2011 under the pen name Valerie Albemarle with the short story "How to Resuscitate Roses" published in the anthology Canadian Voices volume II, and went on to write two novella-length stories which don’t fit into journals and therefore ended up on Kindle. "Michael," a magical realism story on the nature of time and deadlines, earned five stars from Reader’s Favorite. In "Killer of a Mind" the instinct for survival leads to an unusual case of revenge: a man threatens his enemy's sanity rather than his life. My first novel "The Harvest of Her Life's Summer" is a meditative and lighthearted story built around the Russian immigrant experience in Canada. I am currently working on two novels in the magical realism key, both drawing on my Russian roots and one also exploring the crippling effects of war on human nature. For non-fiction, I write a regular column in the West Coast Veterinarian magazine on issues affecting wildlife, and am working to bring public attention to the plight of moose trapped in abandoned telegraph wire in the wilderness of BC.

THE HARVEST OF HER LIFE'S SUMMER Cover
FICTION & LITERATURE FICTION & LITERATURE

THE HARVEST OF HER LIFE'S SUMMER

BY Veronica Gventsadze

In Gventsadze’s (Michael, 2015, etc.) novel, the daughter of immigrants suddenly unleashes her long-stifled creativity and uncovers family secrets when she starts writing a fictional story based on her parents’ flight from the USSR.

This story’s heroine, Alexandra Baumann, is 37 and contemplating spinsterhood. She has a settled routine as a single pharmacist in Canada, where her parents emigrated from the torpid USSR when she was 9 years old. Her view of the family’s history is one full of disappointments and stoic resignation—writ large, of course, in the failure of the Communist state that promised a proletarian paradise. She starts exploring her heritage by working on a novel based on long-standing parental tales of industrial intrigue, betrayals, and laments about having traded cosmopolitan Leningrad for a dull life in Thunder Bay, Ontario. Alexandra confides her secret project to her best friend, Grace. Then Grace, an aspiring teacher and more polished writer, secretly writes her own version of the story. The surprise emergence of twin manuscripts helps bring out facts about the Baumanns’ exile and about the slippery nature of truth. Canadian author Gventsadze offers a loosely plotted but perceptive domestic drama that’s primarily an exploration of the Russian immigrant experience in the Soviet era. Its emphasis on relationships and psychology is closer to the work of Anton Chekhov than to standard clichés of spies and Slavic gangsters. Along the way, its characters’ romantic complications tread (mostly nonexplicitly) across homosexual, bisexual, and pansexual borders. The story also takes detours into veterinary science—the author’s real-life profession—which comprise large sections of the somewhat metafictional, rambling narrative. However, the story as a whole offers fine insight and has a firm grasp of the first-generation expatriate mindset.  

If the title From Russia, with Love wasn’t already taken, it would be apt for this bittersweet, thoughtful rumination on family ties and the Soviet motherland.

Pub Date:

Page count: 209pp

Review Posted Online: Aug. 21, 2016

Kirkus Reviews Issue: Oct. 15, 2016

ADDITIONAL WORKS AVAILABLE

MICHAEL

Written under the pen name Valerie Albemarle, Michael is my very first story, and bears the stamp of my previous career as university professor of philosophy. It's a tale of magical realism that explores the nature of time and deadlines, whether real or self-imposed.
Published: Aug. 21, 2011

KILLER OF A MIND

Written under the pen name Valerie Albemarle, Killer of a Mind makes a journey to a place I find most interesting: the abyss of the human soul. In fact, make that two souls. I'm currently working on a sequel to this novella.
Published: Dec. 12, 2016

A MEADOW IN SAANICH

Written under the pen name Valerie Albemarle, A Meadow in Saanich is a very short piece that subverts the traditional ghost story. It’s also a tribute to my love of antique vehicles, those old workhorses that shouldn’t be written off in a hurry.
Published: Dec. 27, 2016
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