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VOICES AND VISIONS

THE EVOLUTION OF THE BLACK EXPERIENCE AT NORTHWESTERN UNIVERSITY

A painstakingly researched and affecting study.

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A wide-ranging history of the evolving experience of African-Americans at Northwestern University.

While historians have often neglected to record the accomplishments of African-Americans, there has always been an alternative fount of information on the black experience in America: a vibrant oral tradition. Debut author Lowery and Sterling (Behind the Curtain, 2016) aim to capture the lessons of that tradition in writing by presenting the history of the black experience at Northwestern University through a series of interviews with its notable black graduates. They cover a broad swath of historical terrain—campus life, the experience of the black athlete, the tumultuous emergence of black activism, and the transformation of the institution from one that once excluded blacks from living on campus to one that makes a concerted effort to welcome them. The authors both movingly and meticulously depict that transformation. In 1902, Isabella Ellis’ first roommate protested sharing living quarters with a black roommate, and in the same year, Northwestern officially adopted a policy of housing segregation, not overturned until 1953. Stanley L. Hill, another graduate, was surprised to find the campus a tinderbox of activism even after so much watershed civil rights legislation had passed by the mid-’60s, and he participated in the takeover of the bursar’s office in 1968. The sum result of this institutional evolution is not a campus without prejudice but one committed to the development of each student regardless of race. According to the current provost: “There are unique needs across communities that are driven by different sets of cultural experiences, racial experiences, class-based experiences, etc., but I think it’s always important to articulate that fact that we are going to do the best we can so that every student can just be a student.” Both Lowery and Sterling graduated from Northwestern, and Sterling serves as president of the Northwestern University Black Alumni Association (Lowery once served as its vice president). The authors’ enthusiastic devotion to the university is constantly evident, and their knowledge of the institution’s history is breathtaking. One can only imagine the hours of labor it took to conduct and record dozens of thoughtful interviews. The result is rare: a massive archive of historical information that is not only a valuable scholarly reference, but a readable book brimming with insight and drama. Also, Lowery and Sterling supply an unvarnished account of a complex evolution that isn’t a simple triumph of good over evil. Alexandria Bobbitt graduated in 2016 and recounts her encounter with “blatant racism” despite years of progress and hard-won improvement. The authors clearly intended to capture the totality of the black experience, one that inevitably includes not only collegiate success and acceptance, but also the struggle against a prejudice that has proved remarkably persistent. They vividly limn the history of a people, of the diminishing but stubborn forces that discriminate against them, and the metamorphosis of the institution that ultimately championed their cause. This is an astonishingly instructive book and should be read by all Northwestern students and faculty, African-American and otherwise.

A painstakingly researched and affecting study.

Pub Date: May 25, 2018

ISBN: 978-0-692-12737-7

Page Count: 560

Publisher: CreateSpace

Review Posted Online: Oct. 8, 2018

Kirkus Reviews Issue: Dec. 15, 2018

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DYLAN GOES ELECTRIC!

NEWPORT, SEEGER, DYLAN, AND THE NIGHT THAT SPLIT THE SIXTIES

An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...

Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.

The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.

An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.

Pub Date: July 25, 2015

ISBN: 978-0-06-236668-9

Page Count: 368

Publisher: Dey Street/HarperCollins

Review Posted Online: May 15, 2015

Kirkus Reviews Issue: June 1, 2015

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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