Readers will likely be sorry to see this book (and the world) come to a conclusion.
It’s the end of the world as we know it in this fine Dr. Strangelove–ian satire about the mad search for a doomsday device.
Robertson’s (The Siege of Walter Parks, 2012) self-billed “feel good story about the end of the world” may not be completely unique, but it is exceedingly clever and entertaining and, at times, spot-on loony. Thirteen-year-old Alex Graham and his friend Gerald find a thermos-shaped canister labeled “Top Secret” and “Property of the United States Government.” No sooner does Alex put it up for bid on eBay than he finds himself hunted by mercenaries and the CIA. The elusive canister turns out to be a long-lost weapon of ultimate destruction created by a Dr. MacGuffin (likely a sly reference to Alfred Hitchcock’s signature plot device of a desired object that drives a story). The United States, led by an ineffectual president who fancies himself a poet, wants it back, but others, including a stereotypically drawn Islamic terrorist and a German arms dealer, have their own designs on the elusive weapon. CIA agent Charlie Draper, whose own world ended with the deaths of his wife and daughter, takes Alex under his wing as the search becomes more frantic and the body count escalates. Robertson is adept at balancing the story’s farcical and gritty elements. The book’s violence is sudden and punishing, which underscores the high stakes and invests the story with a gravitas that makes its absurdist passages even funnier. That said, the humor is hit-or-miss; all the jokes can’t be good, as Groucho Marx once said, but readers, after wading through an opening disclaimer, a preface, a few words about the book’s science (“There isn’t any”), and a faux introduction that extols the book’s silliness, might be tempted to ask the author to get on with it. The invented quotes (“‘Do I really sound like that?’—R.M. Nixon”) that head most chapters also become increasingly tiresome. That said, there are also some sublimely silly passages whose deadpan musings recall the late Douglas Adams.
Readers will likely be sorry to see this book (and the world) come to a conclusion.Pub Date: Nov. 16, 2015
ISBN: N/A
Page Count: -
Publisher: Gin & Tonic Press
Review Posted Online: Oct. 26, 2015
Review Program: Kirkus Indie
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
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