An innovative use of dance and storytelling for a fun, child-focused activity.
A ballerina leads young dancers in movements that complement a tale about a kangaroo who loses his jump in this picture book.
Joey the Kangaroo is friends with everyone at Funville Zoo, but something makes him sad: He can’t remember how to jump. He tries many things, but he just can’t figure it out. Finally, on a quest to remember how jumping works, he peeks into the windows of a theater where dancers practice jumps. Joey finally finds his jump and discovers a fellow jumper—a frog named Juniper—who becomes his pal. Joey’s story stands alone, especially accompanied by Tkachenko’s beautiful, realistic colored-pencil drawings. But the tale is further enhanced by small callout boxes on each page in the voice of White ballerina Konora (her stage name), who guides children in movements that match this story by Once Upon a Dance. She encourages youngsters to act out the emotions, poses, or actions in a scene, using conversational language to engage readers: “Imagine you’re Joey and don’t know how to jump. How would you figure out which body parts to use?” The author’s photographs of Konora’s poses are clear and easy to imitate, even for beginners. Her stretches, positions, and—of course—jumps are well enough contained for an indoor activity. Movers should pair this book with Dancing Shapes (2020), which also features Konora, to help them practice using their bodies to tell tales.
An innovative use of dance and storytelling for a fun, child-focused activity.Pub Date: Feb. 27, 2021
ISBN: 978-1-73635-365-3
Page Count: 40
Publisher: Once Upon A Dance
Review Posted Online: April 7, 2021
Review Program: Kirkus Indie
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
BOOK REVIEW
Echoes of Runaway Bunny color this exchange between a bath-averse piglet and his patient mother. Using a strategy that would probably be a nonstarter in real life, the mother deflects her stubborn offspring’s string of bath-free occupational conceits with appeals to reason: “Pirates NEVER EVER take baths!” “Pirates don’t get seasick either. But you do.” “Yeesh. I’m an astronaut, okay?” “Well, it is hard to bathe in zero gravity. It’s hard to poop and pee in zero gravity too!” And so on, until Mom’s enticing promise of treasure in the deep sea persuades her little Treasure Hunter to take a dive. Chunky figures surrounded by lots of bright white space in Segal’s minimally detailed watercolors keep the visuals as simple as the plotline. The language isn’t quite as basic, though, and as it rendered entirely in dialogue—Mother Pig’s lines are italicized—adult readers will have to work hard at their vocal characterizations for it to make any sense. Moreover, younger audiences (any audiences, come to that) may wonder what the piggy’s watery closing “EUREKA!!!” is all about too. Not particularly persuasive, but this might coax a few young porkers to get their trotters into the tub. (Picture book. 4-6)
Pub Date: March 1, 2011
ISBN: 978-0-399-25425-3
Page Count: 32
Publisher: Philomel
Review Posted Online: Jan. 25, 2011
Kirkus Reviews Issue: Feb. 1, 2011
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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