by Michelle Tocher ‧ RELEASE DATE: N/A
A slim but fulfilling novel in stories about the madness of families.
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A girl attempts to survive her chaotic Canadian family in Tocher’s literary novel.
Alice Montgomery, the only daughter in a household with four kids, is bookish and probably the best adjusted of the lot—not that that’s saying much. Her mom, Maddy, moved their family to Calgary after Alice’s dad, Jon, died of a heart attack. Her oldest brother, Jeffrey, is a star athlete who messes up that stardom (and a lot of other things) due to his unresolved issues regarding his deceased father. He goes so far as to start using his mother’s maiden name, Duval. The middle brother, Charlie, is Maddy’s favorite; she claims he has “the gift of faith.” Charlie ping-pongs between delinquency and religiosity throughout his childhood, though he’s consistently friendless and conniving. The youngest is Zack. The secret about Zack is that he was adopted. The other secret about Zack—unknown even to Maddy—is that Zack is the love child of Jon and his co-worker at the bank. The ever beleaguered Maddy is a former artist forced to work two separate secretarial jobs in order to provide for her kids. She is finally pulling herself out of the spiral she fell into following her husband’s death. Then there’s Aunt Bel, Maddy’s outspoken older sister, who took the family in when they first arrived in Calgary. Bel and Maddy’s relationship has always been tempestuous. “I suppose Mama wouldn’t be herself without Bel flying in and out of her life on a broomstick, breaking Mama’s spirit and giving her a chronic case of nervous hysteria,” narrates Alice. “Still, family is family. When the chips were down, blood flowed to blood.” Together, this fractious unit must confront problems old and new, from Maddy’s return to dating and painting to the circumstances of Jon’s death and Zack’s parentage. In times of crisis, there’s always family…though that may not always be a good thing.
Tocher’s prose, in the mouth of Alice, is spry and unsparing; here she describes Aunt Bel’s indelicate impression of Alice’s grandmother’s sleeping sickness: “ ‘She looked like this.’ Bel stiffened her body and twisted it into a hideous shape. The newspaper slid to the floor. She screwed her jaw to one side and raised her arms up into air with her hands clawed as if they were about to attack. By the time she came out of her pose, I had fled in terror.” The novel, short at under 120 pages, is told in episodic chapters that tend to revolve around a single character or incident. The order isn’t chronological, but a portrait slowly emerges of the family and its dynamic. Alice provides a stable, sympathetic center to the narrative. A shrewd observer of the people around her, her quest to understand her father’s behavior and absence becomes an unexpected driving force in the book. The book’s brevity works in its favor. Tocher manages to pack a lot into her pages.
A slim but fulfilling novel in stories about the madness of families.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: Manuscript
Review Posted Online: April 30, 2021
Review Program: Kirkus Indie
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by Michelle Tocher ; illustrated by Richard Row
by Alison Espach ‧ RELEASE DATE: July 30, 2024
Uneven but fitfully amusing.
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New York Times Bestseller
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
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SEEN & HEARD
by Kristin Hannah ‧ RELEASE DATE: Feb. 6, 2024
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
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New York Times Bestseller
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
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